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MONOGRAPHS - COLLECTIONS - EDITIONS

Titelbild_Of Precariousness

 

 

 

 

 

 

[Ed. with Mireia Aragay] Of Precariousness: Vulnerabilities, Responsibilities, Communities in 21st-Century British Drama and Theatre (Berlin/Boston: De Gruyter, 2017)
[Amazon]

Theory Matters

 

 

 

 

 

 

[Ed. with Christoph Reinfandt] Theory Matters: The Place of Theory in Literary and Cultural Studies Today (Basingstoke/New York: Palgrave Macmillan, 2016)
[Amazon]

Methuen_Südafrika

 

 

 

 

 

 

[Ed. with Peter Paul Schnierer und Greg Homann] The Methuen Drama Guide to Contemporary South African Theatre (London/New York: Bloomsbury Methuen Drama, 2015)
[Amazon]

Methuen Guide to Contemporary American Playwrights

 

 

 

 

 

[ed. with Peter Paul Schnierer, Matthew Roudané and Christopher Innes] The Methuen Drama Guide to Contemporary American Playwrights. London: Bloomsbury, 2014.
[Amazon]

English and American Studies

 

 

 

 

 

[ed. with Timo Müller, Christina Wald, and Hubert Zapf] English and American Studies: Theory and Practice. Stuttgart: Metzler, 2012.
[Amazon]

Contemporary British Playwrights

 

 

 

 

 

 

[ed. with Peter Paul Schnierer and Aleks Sierz] The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen, 2011.
[Amazon]

Literature and/as Ethics

 

 

 

 

 

 

 

[ed.] Literature and/as Ethics. Special Issue: Anglia 129.1-2 (2011).

Literature of Melancholia

 

 

 

 

 

 

[ed. with Christina Wald] The Literature of Melancholia: Early Modern to Postmodern. Basingstoke: Palgrave Macmillan, 2011.
[Amazon]

Contemporary Irish Playwrights

 

 

 

 

 

 

[ed. with Peter Paul Schnierer] The Methuen Drama Guide to Contemporary Irish Playwrights. London: Methuen, 2010.
[Amazon]

Symbolism Vol. 9

 

 

 

 

 

 

[ed. with Christoph Henke] Literature and Circularity. Symbolism: An International Annual of Critical Aesthetics 8. New York, NY: AMS Press, 2009.
[Amazon]

Drama and/after Postmodernism

 

 

 

 

 

 

[ed. with Christoph Henke] Drama and/after Postmodernism. Contemporary Drama in English 14. Trier: WVT, 2007.
Reviewed in Anglistik 20.2 (2009): 204-208.
[Amazon]

Self-Reflexivity in Literature

 

 

 

 

 

 

[ed. with Werner Huber and Hubert Zapf] Self-Reflexivity in Literature. Würzburg: Königshausen & Neumann, 2005.
[Reviewed in: Sprachkunst 37 (2006):378-382].
[Amazon]

Kunst der gelebten Zeit

 

 

 

 

Die Kunst der gelebten Zeit: Studien zur Phänomenologie literarischer Subjektivität im englischen Roman des ausgehenden neunzehnten Jahrhunderts. text & theorie  1. Würzburg: Königshausen und Neumann, 2004.
[Reviewed in: Literaturwissenschaftliches Jahrbuch 46 (2005): 452-455].
[Amazon]

Zeit und Roman

 

 

 

 

[ed.] Zeit und Roman: Zeiterfahrung im historischen Wandel und ästhetischer Paradigmenwechsel vom sechzehnten Jahrhundert bis zur Postmoderne. Würzburg: Königshausen & Neumann, 2002.
[Reviewed in: Anglistik 15.2 (2004): 140-144].
[Amazon]

Biofictions

 

 

 

 

[ed. with Werner Huber] Biofictions: The Rewriting of Romantic Lives in Contemporary Fiction and Drama. Rochester, NY: Camden House, 1999.
[Reviewed in: English Studies: A Journal of English Language and Literature 82.3 (2001): 281-283;  Anglia 121.2 (2003): 336-340].
[Amazon]

Anthropological Perspectives

 

 

 

 

 

[ed. with Werner Huber] Anthropological Perspectives. Contemporary Drama in English 5. Trier: WVT, 1998.
[Reviewed in: Hungarian Journal of English and American Studies 6.2 (2000): 309-12.].
[Amazon]

Stephen Poliakoff

 

 

 

 

 

Stephen Poliakoff: Drama und Dramaturgie in der abstrakten Gesellschaft. Paderborn: Schöningh, 1994.
[Reviewed in: Forum Modernes Theater 2 (1995): 215-218; Zeitschrift für Anglistik und Amerikanistik (1996): 180-182; Anregung 6 (1997): n. p.].

 Teachers Book City Sugar

 

 

 

 

 

 

 

[with Ralf Weskamp] Stephen Poliakoff’s ‘City Sugar’: Teacher’s Book. Frankfurt a. M.: Diesterweg, 1991.

 City Sugar

 

 

 

 

 

 

 

[ed. with Ralf Weskamp] Poliakoff, Stephen. City Sugar. Frankfurt a. M.: Diesterweg, 1990.

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CURRENT PROJECTS

Samuel Beckett’s Later Drama and Phenomenology

[Ed. with Mireia Aragay] Representations of the Precarious in Contemporary British Theatre and Drama (Berlin/Boston: De Gruyter, 2015) [in Vorbereitung].

[Ed. with Monika Pietrzak-Franger] Handbook of the English Novel: 1830-1900. Text and Theory (Berlin/Boston: De Gruyter, 2017) [in Vorbereitung].

Ed. Anglia-Themenheft: Theatre Philosophy 135.1 (2017)

Ed. with Monika Fludernik und Andreas Buchleitner: Themenheft in European Review zu Seriality, Symmetry, Proportion (Cambridge: Cambridge University Press, 2017).

[Ed. with Christopher Morash] Time and Irish Literature: 1800 to the Present (Cambridge: Cambridge University Press, 2018) [in Vorbereitung].

 

 

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(CO-)EDITORSHIPS: JOURNALS - BOOK SERIES

Mit-Herausgeber: Anglia. Journal of English Philology / Zeitschrift für Englische Philologie. With Lucia Kornexl, Ursula Lenker, Gabriele Rippl and Hubert Zapf. (Berlin/New York: de Gruyter) [ab Band 124 (2006) Heft 1)]. A-Rated international  journal with double blind peer review

Mit-Herausgeber: Book series of Anglia. Journal of English Philology [Berlin/Boston: De Gruyter]

Editor in Chief:Contemporary Drama in English (Berlin/Boston: De Gruyter).  (double blind peer review).

Editor: CDE-Studies (bis 2012: Trier: Wissenschaftlicher Verlag, ab 2012: Berlin/Boston: De Gruyter) – 24 Bände (2 in Vorbereitung)

Mit-Herausgeber:text & theorie [with Hubert Zapf]  (Würzburg: Königshausen & Neumann) – 12 Bände.

Member of International Advisory Board: C21: Journal of 21st-Century Writings (Brighton, U.K.).

 

MEMBERSHIPS ON EDITORIAL BOARDS

C21 Literature: Journal of 21st-century Writings (Canterbury: Glyphi)

 

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ARTICLES

"Fashion and the Media Age: Hyperreality in the Plays of Stephen Poliakoff." Centres and Margins. Ed. Bernhard Reitz. Contemporary Drama in English 2. Trier: WVT, 1995. 109-117.

"Sinnkrise, Faschismus und Verselbständigung der Gewalt: Howard Barkers That Good Between Us und Stephen Poliakoffs Strawberry Fields." Can’t We ‘Ave Some Order ‘Ere!: Rechtsextremismus im zeitgenössischen britischen Drama. Ed. Bernhard Reitz. anglistik & englischunterricht 57. Heidelberg: Winter, 1995. 35-58.

[with Werner Huber] "Biography in Contemporary Drama." Drama and Reality. Ed. Bernhard Reitz. Contemporary Drama in English 3. Trier: WVT, 1996. 133-143.

"Drama and the Desire for History: The Plays of Timberlake Wertenbaker." Anglistentag 1996, Dresden – Proceedings. Eds. Uwe Böker and Hans Sauer. Trier: WVT, 1997. 223-233.

[with Werner Huber] "Introduction." Anthropological Perspectives. Eds. Werner Huber and Martin Middeke. Contemporary Theatre and Drama 5. Trier: WVT, 1998. 9-18.

"Introduction." Biofictions: The Rewriting of Romantic Lives in Contemporary Fiction and Drama. Eds. Werner Huber and Martin Middeke. Rochester, N.Y.: Camden House, 1999. 1-25.

"The Triumph of Analogous Text Over Digital Truth: Biography, Différance, and Deconstructive Play in Amanda Prantera's Conversations with Lord Byron on Perversion, 163 Years after His Lordships’s Death." Biofictions: The Rewriting of Romantic Lives in Contemporary Fiction and Drama. Eds. Werner Huber and Martin Middeke. Rochester, N.Y.: Camden House, 1999. 120-137.

"Dimensionen gelebter Zeit im Fin de siècle: Joseph Conrads Lord Jim." Das Fin de Siècle. Eds. Monika Fludernik and Ariane Huml. Trier: WVT, 2002. 153-174.

"The Poetics of Lived Time: Time Consciousness and Literary Subjectivity in the Late-Victorian Novel." Anglistentag 2000, Berlin – Proceedings. Eds. Jürgen Schlaeger and Peter Lucko. Trier: WVT, 2001. 407-420.

"Metadrama and/as (Cultural) Evolution: Timberlake Wertenbaker's After Darwin." 'What Revels Are in Hand': Assessments of Contemporary Drama in English in Honour of Wolfgang Lippke. Ed. Bernhard Reitz. Trier: WVT, 2001. 163-181.

"Oscar, the Proto-Postmodern? Peter Ackroyd's The Last Testament of Oscar Wilde." The Importance of Reinventing Oscar: Versions of Wilde during the last 100 Years. Eds. Uwe Böker, Richard Corballis and Julie A. Hibbard. Amsterdam: Rodopi, 2002. 207-217.

"Towards the End of Logic: Sol LeWitt and Samuel Beckett's Later Theatre and Drama." Samuel Beckett Today/Aujoud’hui: Papers from the Berlin 2000 Symposium. Eds. Angela Moorjani and Carola Veit. Amsterdam: Rodopi, 2001.

"Zeit und Roman: Zur Einführung." Zeit und Roman: Zeiterfahrung im historischen Wandel und ästhetischer Paradigmenwechsel vom sechzehnten Jahrhundert bis zur Postmoderne. Ed. Martin Middeke. Würzburg: Königshausen & Neumann, 2002. 1-20.

"Die Poetologie gelebter Zeit im spätviktorianischen Roman." Zeit und Roman: Zeiterfahrung im historischen Wandel und ästhetischer Paradigmenwechsel vom sechzehnten Jahrhundert bis zur Postmoderne. Würzburg: Königshausen & Neumann, 2002. 161-195.

"Samuel Beckett: En attendant Godot/Warten auf Godot." Große Werke der Literatur VIII. Ed. Hans-Vilmar Geppert. Tübingen: Narr, 2003. 201-218.

"Inter-/Transtextualität: Funktionen und Hermeneutische Tiefenstruktur." Theorien der Literatur II: Grundlagen und Perspektiven. Eds. Hans Vilmar Geppert and Hubert Zapf. Tübingen: Francke, 2005. 225-242.

"Minimal Art: On the Intermedial Aesthetic Context of Samuel Beckett's Late Theatre and Drama.' Anglia 123.3 (2005): 359-380.

"Bram Stoker: Dracula." Große Werke der Literatur IX. Ed. Hans-Vilmar Geppert. Tübingen: Narr, 2006. 101-118.

"Introduction." Self-Reflexivity in Literature. Eds. Werner Huber, Martin Middeke and Hubert Zapf. Würzburg: Königshausen & Neumann, 2005. 7-11.

"Self-Reflexivity, Trans-/Intertextuality, and Hermeneutic Deep-Structure in 20th Century British Fiction." Self-Reflexivity in Literature. Eds. Werner Huber, Martin Middeke and Hubert Zapf. Würzburg: Königshausen & Neumann, 2005. 211-222.

[with Helga Schwalm] "The Return of Biography: Introduction." Anglistentag 2005, Bamberg – Proceedings. Eds. Christoph Houswitschka and Anja Müller. Trier: WVT, 2006. 219-255

"History as a Retro-Scenario: A Short Note on Alan Bennett's The History Boys." History and Drama: Essays in Honour of Bernhard Reitz. Ed. Sigrid Rieuwerts. Trier: WVT, 2006. 201-209.

[with Christoph Henke] "Baudrillard Revisited: Simulation, Simulacra, and Postmodern Mythmaking in the Matrix-Trilogy." Intermedialities. Eds. Werner Huber, Evelyne Keitel and Günter Süss. Trier: WVT, 2007. 11-26.

"James Joyce: A Portrait of the Artist as a Young Man." Große Werke der Literatur X. Eds. Hans-Vilmar Geppert and Hubert Zapf. Tübingen: Narr, 2007. 121-138.

"Literatur und Wiederholung." Theorien der Literatur IV: Grundlagen und Perspektiven. Eds. Günther Butzer and Hubert Zapf. Tübingen: Francke, 2008. 191-215.

[with Christoph Henke] "Literature and Circularity: An Introduction." Literature and Circularity. Symbolism: An International Annual of Critical Aesthetics. Eds. Christoph Henke and Martin Middeke. New York, NY: AMS Press, 2007. 1-12.

"On Circles and Spirals: Meta-Hermeneutics in 20th Century Fiction." Literature and Circularity. Symbolism: An International Annual of Critical Aesthetics. Eds. Christoph Henke and Martin Middeke. New York, NY: AMS Press, 2007. 103-128.

[with Peter Paul Schnierer] "Introduction." The Methuen Drama Guide to Contemporary Irish Playwrights. Eds. Martin Middeke and Peter Paul Schnierer. London: Methuen, 2010. vii-xix.

"Martin McDonagh." The Methuen Drama Guide to Contemporary Irish Playwrights. Eds. Martin Middeke and Peter Paul Schnierer. London: Methuen, 2010. 213-233.

"Mary Shelley: Frankenstein, or The Modern Prometheus." Große Werke der Literatur XI. Eds. Hans-Vilmar Geppert and Hubert Zapf. Tübingen: Narr, 2007. 71-83.

[with Peter Paul Schnierer and Aleks Sierz] "Introduction." The Methuen Drama Guide to Contemporary British Playwrights. Eds. Martin Middeke, Peter Paul Schnierer and Aleks Sierz. London: Methuen, 2011.

"Martin Crimp" The Methuen Drama Guide to Contemporary British Playwrights. Eds. Martin Middeke, Peter Paul Schnierer and Aleks Sierz. London: Methuen, 2011.

[with Christina Wald] "Melancholia as a Sense of Loss: An Introduction." The Literature of Melancholia. Eds. Martin Middeke and Christina Wald. Basingstoke: Palgrave Macmillan, 2011.

"Ian McEwan: Atonement." Große Werke der Literatur XII. Eds. Günter Butzer and Hubert Zapf. Tübingen: Narr, 2011. 210-240.

"Towards an Ethics of Self-Reflexivity: Meta-Performatives and Deconstruction in Contemporary British Drama." Witnessing/Testimony and Ethics in Contemporary British Theatre. Eds. Mireia Aragay and Enric Montforte. Basingstoke: Palgrave Macmillan, 2012. [in preparation]

"The Epistemology of Literary Studies." British and American Studies: Theory and Practice. Eds. Martin Middeke, Timo Müller, Christina Wald and Hubert Zapf. Stuttgart: Metzler, 2012. [in preparation]

"Problems of Literary Historiography." British and American Studies: Theory and Practice. Eds. Martin Middeke, Timo Müller, Christina Wald and Hubert Zapf. Stuttgart: Metzler, 2012. [in preparation]

"Victorian Literature." British and American Studies: Theory and Practice. Eds. Martin Middeke, Timo Müller, Christina Wald and Hubert Zapf. Stuttgart: Metzler, 2012. [in preparation]

"Literary Anthropology and Reception Theory." British and American Studies: Theory and Practice. Eds. Martin Middeke, Timo Müller, Christina Wald and Hubert Zapf. Stuttgart: Metzler, 2012. [in preparation]

"Deconstruction." British and American Studies: Theory and Practice. Eds. Martin Middeke, Timo Müller, Christina Wald and Hubert Zapf. Stuttgart: Metzler, 2012. [in preparation]

[with Peter Paul Schnierer, Matthew Roudané and Christopher Innes] "Introduction." The Methuen Drama Guide to Contemporary American Playwrights. Eds. Martin Middeke, Peter Paul Schnierer, Matthew Roudané and Christopher Innes. London: Methuen, 2012. [in preparation]

"Wallace Shawn." The Methuen Drama Guide to Contemporary American Playwrights. Eds. Martin Middeke, Peter Paul Schnierer, Matthew Roudané and Christopher Innes. London: Methuen, 2012. [in preparation]

"On the Deconstruction of Storytelling in Contemporary Irish Drama." Ireland in Drama, Film, and Popular Culture. Eds. Julia Lajta-Novak and Margarete Rubik. Trier: WVT, 2011. 37-46.

[with Christoph Reinfandt] "The Place of Theory: Introduction." Anglistentag 2011, Freiburg – Proceedings. Eds. Monika Fludernik and Bernd Kortmann. Trier: WVT, 2012. 305-307.

"Drama nach 1945." Englische Literaturgeschichte. Ed. Hans Ulrich Seeber. Stuttgart: Metzler, 2012. 421-463.

“The Undecidable and the Event: Ethics of Unrest in Martin Crimp’s Attempts on Her Life and debbie tucker green’s truth and reconciliation”, in:  Mireia Aragay and Enric Montforte (eds.) Ethical Speculations in Contemporary British Theatre (Basingstoke/New York: Palgrave Macmillan, 2014) , pp. 96–113.

[mit Peter Paul Schnierer und Greg Homann] “Introduction”, Methuen Guide to Contemporary South African Theatre (London/New York: Bloomsbury Methuen Drama, 2015), i-xx.

“Emily Bronte: Wuthering Heights,“ in: Große Werke der Weltliteratur Bd. XI, eds. Günter Butzer und Hubert Zapf (Tübingen: Narr, 2013) [im Druck].

[mit Christoph Reinfandt], “Introduction: Theory Today”, in:  Martin  Middeke/Christoph  Reinfandt (eds.) Theory Matters: The Place of Theory in Literary and  Cultural  Studies Today (Basingstoke/New York: Palgrave, 2014/15).

"Towards a 'Coming Community': Literary Ethics and the Singularity of the Emancipated Reader/Spectator”, in:  Martin  Middeke/Christoph  Reinfandt (eds.) Theory Matters: The Place of Theory in Literary and  Cultural  Studies Today (Basingstoke/New York: Palgrave, 2014/15).

[mit Christoph Reinfandt] “The Place of Theory Today”, in: Martin Middeke/Christoph Reinfandt (eds.) Theory Matters: The Place of Theory in Literary and Cultural Studies Today (Basingstoke/New York: Palgrave, 2014/15).

[mit Christoph Reinfandt] “The Cultures of Reflexivity”, in: Martin Middeke/Christoph Reinfandt (eds.) Theory Matters: The Place of Theory in Literary and Cultural Studies Today (Basingstoke/New York: Palgrave, 2014/15).

[mit Christoph Reinfandt] “Ideologies of Habitus”,  in:  Martin Middeke/Christoph  Reinfandt  (eds.)  Theory  Matters:  The  Place  of  Theory  in: Literary and Cultural Studies Today (Basingstoke/New York: Palgrave, 2014/15).

[mit Christoph Reinfandt] “On Interpretation”, in: Martin Middeke/Christoph Reinfandt (eds.) Theory Matters: The Place of Theory in Literary and Cultural Studies Today (Basingstoke/New York: Palgrave, 2014/15).

[mit Mireia Aragay], “Precariousness in Drama and Theatre: An Introduction”, in: Mireia Aragay/Martin Middeke (eds.) Of Precariousness: Vulnerabilities, Responsibilities, Communities in 21st Century British Drama and Theatre (Berlin/Boston: De Gruyter, 2017), pp. 1-15.

“The Inoperative Community and Death: Ontological Aspects of the Precarious in David Greig's The Events and Caryl Churchills Here We Go”, in: Mireia Aragay/Martin Middeke (eds.) Of Precariousness: Vulnerabilities, Responsibilities, Communities in 21st Century British Drama and Theatre (Berlin/Boston: De Gruyter, 2017), pp. 217-235.

“Joseph Conrad, Lord Jim,“ in: Große Werke der Weltliteratur Bd. XI, eds. Günter Butzer und Hubert Zapf (Tübingen: Narr, 2016) [im Druck].

“Literatur und/als kommende Gemeinschaft,” Theorien der Literatur. Grundlagen und Perspektiven, Bd. VI. Hg. Günther Butzer//Hubert Zapf (Tübingen: Francke, 2016), [in Vorbereitung].

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MISCELLANIES AND REVIEWS

"Angela Carter: Nights at the Circus." Kindlers Literaturlexikon: Band 21 — Supplement. München: Kindler, 1998. 212-214.

"Stephen Poliakoff: Strawberry Fields." Kindlers Literaturlexikon: Band 22 — Supplement. München: Kindler, 1998. 315-316.

"Timberlake Wertenbaker: Our Country’s Good." Kindlers Literaturlexikon: Band 21 — Supplement. München: Kindler, 1998. 694-696.

"John Webster." Metzler Lexikon englischsprachiger Autoren. Eds. Ansgar Nünning and Eberhard Kreutzer. Stuttgart: Metzler, 2002. 608-609.

"Thomas Carlyle." Metzler Lexikon englischsprachiger Autoren. Eds. Ansgar Nünning and Eberhard Kreutzer. Stuttgart: Metzler, 2002. 98-101.

"Bram Stoker." Metzler Lexikon englischsprachiger Autoren. Eds. Ansgar Nünning and Eberhard Kreutzer. Stuttgart: Metzler, 2002. 557-58.

"Samuel Butler d. J." Metzler Lexikon englischsprachiger Autoren. Eds. Ansgar Nünning and Eberhard Kreutzer. Stuttgart: Metzler, 2002. 88-89.

"Christine Brooke-Rose." Metzler Lexikon englischsprachiger Autoren. Eds. Ansgar Nünning and Eberhard Kreutzer. Stuttgart: Metzler, 2002. 71-72.

"Stephen Poliakoff." Metzler Lexikon englischsprachiger Autoren. Eds. Ansgar Nünning and Eberhard Kreutzer. Stuttgart: Metzler, 2002. 461-462.

"Die Französische Revolution (1789)." Handbuch der Englischen Kulturgeschichte. Eds. Rudolf Beck and Konrad Schröder. München: UTB-Fink, 2006. 223-229.

"Charles Darwin: The Origin of Species (1859)." Handbuch der Englischen Kulturgeschichte. Eds. Rudolf Beck and Konrad Schröder. München: UTB-Fink, 2006. 308-312.

"Der Prozess gegen Oscar Wilde (1895)." Handbuch der Englischen Kulturgeschichte. Eds. Rudolf Beck and Konrad Schröder. München: UTB-Fink, 2006. 325-330.

"'Tis Fourteen Years Since': Bernhard Reitz and CDE." History and Drama: Essays in Honour of Bernhard Reitz. Ed. Sigrid Rieuwerts. Trier: WVT, 2006. 7-8.

Review of: Dislocating Masculinities: Comparative Ethnographies. Eds. Andrea Cornwall and Nancy Lindisfarne. London: Routledge, 1994. In: Journal for the Study of British Cultures 3.2 (1996): 197-200.

Review of: Repetition. Ed. Andreas Fischer. Tübingen: Narr, 1994. In: Anglia 116 (1998): 547-550.

Review of: Zettner, Maria. Paperback Theatre: Das Young Vic und seine Bedeutung für das englische Theater. Frankfurt a. M.: Lang, 1993. In: Archiv für das Studium der Neueren Sprachen und Literaturen 151.236/1 (1999): 211-214.

Review of: Onega, Susanna. Metafiction and Myth in the Novels of Peter Ackroyd. Rochester, N.Y.: Camden House, 1999. In: Anglia 119.4 (2001), 665-670.

Review of: Nischik, Reingard. The Canadian Short Story: Interpretations. Rochester, N.Y.: Camden House, 2007; pbk. 2010. In: Zeitschrift für Kanada-Studien 31.1 (2011), 138-144.

 

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CONFERENCES

Anthropological Perspectives. Universität Paderborn, 1998. Sponsored by DFG.

Drama and/after Postmodernism. CDE annual conference. Universität Augsburg, 2006. Sponsored by DFG.

Melancholia as a Central Discourse in European Cultural and Literary History. Universität Augsburg, 2009. Sponsored by DFG.

Representations of the Precariousness. Universität Augsburg, April 2014/Universität Barcelona, September 2014. Sponsored by DAAD.

Seriality, Symmetry, and Proportion. Interdisciplinary Conference for the Academy of Europe, FRIAS, University of Freiburg (Co-convenors: Monika Fludernik (Freiburg, English Studies); Andreas Buchleitner (Freiburg, Physics).  Sponsored by DFG.