The Pinter Review. University of Tampa Press
(http://www.academic.marist.edu/merritt/pintereview.html).
Academic Studies:
Allgaier, Dieter. Die Dramen Harold Pinters: Eine Untersuchung von Inhalt und Form. Frankfurt/M: 1968.
Angelaki, Vasiliki: "Structuring Consciousness through Objects: Fluctuating Roles and Selves in Crimp, Pinter and Ionesco." Meyer-Dinkgräfe, Daniel (ed.). Consciousness, Theatre, Literature and the Arts 2007 . Newcastle: Cambridge Scholars Publishing, 2007. 126-133.
Baker, William, and Stephen Ely Tabachnick. Harold Pinter. Edinburg: Oliver & Boyd, 1973.
Berns, Ute. Mikropolitik im englischen Gegenwartsdrama: Studien zur Dramatisierung gesellschaftlicher Macht- und Ausschließungsmechanismen bei Pinter, Keeffe und Churchill. CDE Studies 2. Trier: WVT, 1997.
Berns, Ute. "Political Drama and the Micropolitics of Language: Institutional Power and Individual Perspectives Creating Dramatic Realities." Drama and Reality. Ed. Bernhard Reitz. Contemporary Drama in English 3. Wissenschaftlicher Verlag Trier, 1996. 111-22.
Billington, Michael. The Life and Work of Harold Pinter. London: Faber & Faber, 1997.
Bock, Hedwig. "Harold Pinter: The Room as Symbol." Essays on Contemporary British Drama. Ed. Hedwig Bock and Albert Wertheim. München: Hueber, 1981. 171-184.
Bold, Alan (ed.). Harold Pinter: You Never Heard Such Silence. London: Vision, 1984.
Brown, John R. Theatre Language: A Study of Arden, Osborne, Pinter and Wesker. London: Allen Lane, 1972.
Braunmuller, Albert R. "Harold Pinter: The Metamorphosis of Memory." Essays on Contemporary British Drama. Ed. Hedwig Bock and Albert Wertheim. München: Hueber, 1981. 155-170.
Burkman, Katherine H., and John L. Kundert-Gibbs, (eds.). Pinter at Sixty. Bloomington: Indiana UP, 1993.
Burkmann, Katherine H. The Dramatic World of Harold Pinter: Its Basis in Ritual. Columbus: Ohio State UP, 1971.
Cahn, Victor L. Gender and Power in the Plays of Harold Pinter. Basingstoke: Macmillan, 1994.
Canny, Mildred R. Patterns of Human Interaction in the Drama of Harold Pinter. Ann Arbor, Mich.: UMI, 1990. (Madison, Wis., Univ., Diss., 1971.)
Diamond, Elin. "Parody Play in Pinter." Modern Drama XXV (1982): 447-488.
Diamond, Elin. Pinter's Comic Play. Lewisburg: Bucknell UP, 1985
Drechsler, Ute. Die "absurde Farce" bei Beckett, Pinter und Ionesco : Vor- und Überleben einer Gattung. Tübingen : Narr, 1988.
Dukore, Bernard F. Harold Pinter. Macmillan Modern Dramatists. Basingstoke & London: Macmillan, ²1988.
Dukore, Bernard F. Where Laughter Stops: Pinter's Tragicomedy. London: U of Missouri P, 1976.
Esslin, Martin. Harold Pinter. Velber: ²1973.
Esslin, Martin. Pinter. A Study of His Plays. London: Eyre Methuen, 1973.
Esslin, Martin. Pinter. The Playwright. London: Methuen, 51992.
Fischer-Seidel, Therese. "Harold Pinter: Old Times." Englische Literatur der Gegenwart 1971-1975. Ed. Rainer Lengeler. Düsseldorf: Bagel, 1977. 132-143.
Gabbard, Lucina Paquet. The Dream Structure of Pinter's Plays: A Psychoanalytic Approach. Rutherford: Fairleigh Dickinson UP, 1976.
Gale, Stephen H. Butter's Going Up - A Critical Analysis of Harold Pinter's Work. Durham, N.C.: 1977.
Gale, Stephen H. (ed.). Critical Essays on Harold Pinter. G. K. Hall & Company, 1990.
Gale, Stephen H. (ed.). Harold Pinter. Critical Approaches. London: Associated UPs, 1986.
Ganz, Arthur (ed.). Pinter. A Collection of Critical Essays. Englewood Cliffs: Prentice, 1972.
Gillen, Francis. "'All These Bits and Pieces': Fragmentation and Choice in Pinter's Plays." Modern Drama XVII (1974): 477-487.
Goetsch, Paul. "Harold Pinter: Old Times." Das Englische Drama der Gegenwart. Interpreatationen. Ed. Horst Oppel. Berlin: Schmidt, 1976. 117-126.
Gordon, Lois G. Stratagems to Uncover Nakedness: The Dramas of Harold Pinter. Columbia: 1969.
Gordon, Lois G. (ed.) Harold Pinter. A Casebook. New York: Garland, 1990.
Gussow, Mel. Conversations with Pinter. London: Hern, 1994.
Hayman, Ronald. Harold Pinter. Contemporary Playwrights Series. London: Heinemann, 1970.
Hinchliffe, Arnold P. Harold Pinter. New York: Twayne, 1967.
Homan, Sidney. Pinter's Odd Man Out: Staging and Filming Old Times. Lewisburg: Bucknell UP, 1993.
Hughes, Allen. "Myth and Memory in Pinter's Old Times." Modern Drama XVII (1974): 467-476.
Imhof, Rüdiger. Harold Pinters Dramentechnik. Bonn: Bouvier, 1976.
Jones, John B. "Stasis as Structure in Pinter's No Man's Land." Modern Drama XIX (1976): 291-314.
Kalson, Albert E. "The Artist as Con Man in No Man's Land." Modern Drama XXII (1979): 339-348.
Kerr, Walter. Harold Pinter. Collected Essays on Modern Writers 27. New York: Columbia UP, 1967.
King, Noel. "Pinter's Progress." Modern Drama XXIII (1980): 246-257.
Klein, Joanne. Making Pictures: The Pinter Screenplays. Columbus: Ohio State UP, 1985.
Knowles, Ronald. Understanding Harold Pinter. University of South Carolina Press, 1995.
Krause, Mine. "Absurdes Drama." Das englische Drama der Gegenwart: Kategorien, Entwicklungen, Modelinterpretationen. Ed. Merle Tönnies. Trier: WVT, 2010. 141-156.
Kreps, Barbara. "Time and Harold Pinter's Possible Realities: Art as Life, and Vice Versa." Modern Drama XXII (1979): 47-60.
Lengeler, Rainer. "Erinnerte Gegenwart: Pinters Drama Old Times." Literatur und Wissenschaft 10 (1977): 275-288.
Martineau, Stephen. "Pinter's Old Times: The Memory Game." Modern Drama XVI (1973): 287-297.
Mayberry, Bob. Theatre of Discord: Dissonance in Beckett, Albee, & Pinter. Rutherford: Fairleigh Dickinson UP, 1989
Mengel, Ewald. Harold Pinters Dramen im Spiegel der soziologischen Rollentheorie. Frankfurt/M, Bern, Las Vegas: 1978.
Merritt, Susan Hollis. Pinter in Play: Critical Strategies and the Plays of Harold Pinter. Durham: Duke UP, 1990.
Merritt, Susan Hollis. Pinter in Play: Critical Strategies and the Plays of Harold Pinter. (1990) Durham and London: Duke UP, 1995.
Milman, Yoseph. Opacity in the Writings of Robbe-Grillet, Pinter, & Zach: A Study in the Poetics of Absurd Literature. Edwin Mellen Press, 1992.
Misra, Chitranjan. Harold Pinter: The Dramatist. Advent Books, 1993.
Möller, Joachim. "Erlebnisdenken als Rollenspiel in Pinters No Man's Land." Forum Modernes Theater 1 (1986): 56-62.
Morrison, Kristin. Canters & Chronicles: The Use of Narrative in the Plays of Samuel Beckett & Harold Pinter. Chicago: U of Chicago P, 1983.
Münder, Peter. Harold Pinter und die Problematik des Absurden Theaters. Frankfurt/M: 1976.
Müller, Klaus-Peter. "Recasting the World on Stage: The Freedom of Creating New Centres and Meanings in Contemporary Theatre." Centres and Margins. Contemporary Drama in English 2. Ed. Bernhard Reitz. Trier: Wissenschaftlicher Verlag Trier, 1995. 9-29.
Napirowska, Krystyna. "Harold Pinter's No Man's Land: Communication in the Making." Studia Anglica Posnaniensia 9 (1977): 209-216.
Page, Malcolm. File on Pinter. London: Methuen Drama, 1993.
Pinter, Harold. Harold Pinter / with Benedict Nightingale. Writers Talk. Northbrook: 1990.
Prentice, Penelope. Harold Pinter: Life, Work, & Criticism. York Press, 1990.
Prentice, Penelope. The Pinter Ethic: The Erotic Aesthetic. Garland Reference of the Humanities: Studies in Modern Drama 3 New York: Garland, 1994.
Regal, Martin S. Harold Pinter: A Question of Timing. Lond: Macmillan, 1996.
Reitz, Bernhard. "'I just wouldn't want to be at the other end of his anger'. Harold Pinter's Political Plays of the Nineties." British Drama of the 1990s. Eds. Bernhard Reitz and Mark Berninger. Anglistik & Englischunterricht 64 (2002): 165-180.
Reitz, Bernhard. "Nachwort." Pinter, Harold. Old Times. Ed. Bernhard Reitz. Stuttgart: Reclam, 1986.
Sakellaridou, Elizabeth. Pinter's Female Portraits: A Study of the Female Characters in the Plays of Harold Pinter. Barnes & Noble, 1987
Schroll, Hermann T. Harold Pinter: A Study of His Reputation (1958 - 1969) and a Checklist. Metuchen: Scarecrow, 1971.
Silverstein, Marc. Harold Pinter and the Language of Cultural Power. London: Associated UPs, 1993.
Stahl, Heiko. "Harold Pinter and Family Therapy: A Systemic Approach to Character Constellations in The Lover, Old Times, and Ashes to Ashes." What Revels Are in Hand: Assessments of Contemporary Drama in English in Honour of Wolfgang Lippke. Eds. Bernhard Reitz and Heiko Stahl. CDE-Studies 8. Trier: Wissenschaftlicher Verlag Trier, 2001. 195-204.
Stoll, Karl-Heinz. Harold Pinter. Düsseldorf: 1977.
Strunk, Volker. Harold Pinter: Towards a Poetics of His Plays. New York: Lang, 1989.
Sykes, Alrene. Harold Pinter. New York: 1970.
Tabbert, Reinbert. Harold Pinters Dramen der verlorenen Identität. Tübingen: 1969.
Taylor, John R. Harold Pinter. London: 1969.
Trussler, Simon. File on Pinter. London: Methuen, 1995.
Trussler, Simon. The Plays of Harold Pinter. An Assessment. London: Victor Gollancz, 1973.
Voigts-Virchow, Eckart. "Pinter Still/Again Pinteresque? Opacity and Illumination in Moonlight." Centres and Margins. Contemporary Drama in English 2. Ed. Bernhard Reitz. Trier: Wissenschaftlicher Verlag Trier, 1995. 119-137.
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