Birkle, Carmen. "Revising America, Revisioning the Past: American Drama in a Global(izing) World." Global Challenges and Regional Responses in Contemporary Drama in English. Contemporary Drama in English 10. Ed. Jochen Achilles, Ina Bergmann and Birgit Däwes. Trier: Wissenschaftlicher Verlag Trier, 2002. 105-120.
Dixon, Kimberly D. "An I am Sheba me am (She be doo wah waaaah doo wah) O(au)rality, Textuality and Performativity: African American Literature's Vernacular Theory and the Work of Suzan-Lori Parks." The Journal of American Drama and Theatre 11.1 (Winter 1999): 49-66.
Drukman, Steven. "Suzan-Lori Parks and Liz Diamond: Doo-a-diddly-dit-dit." The Drama Review 39.3 (1995): 56-75.
Elam, Harry J., and Alice Rayner. "Unfinished Business: Reconfiguring History in Suzan-Lori Parks's The Death of the Last Black Man in the Whole Entire World." Theatre Journal 46.4 (1994): 447-462.
Innes, Christopher. "Staging Black History: Re-Imaging Cultural Icons." Race and Religion. Ed. Bernhard Reitz. Contemporary Drama in English 6. Wissenschaftlicher Verlag Trier, 1999. 95-107.
Jiggetts, Shelby. "Interview with Suzan-Lori Parks." Callaloo 19.2 (1996): 309-17.
Pearce, Michele. "Alien Nation: An Interview with the Playwright." American Theatre 11.3 (March 1994): 26.
Ryan, Katy. "'No Less Human:' Making History in Suzan-Lori Parks's The America Play." Journal of Dramatic Theory and Criticism 8.2 (Spring 1999): 81-94.
Schmidt, Kerstin. "'A Blueprint of an Event:' History, Spectacle, and the Creation of an African American Perspective." Global Challenges and Regional Responses in Contemporary Drama in English. Contemporary Drama in English 10. Ed. Jochen Achilles, Ina Bergmann and Birgit Däwes. Trier: Wissenschaftlicher Verlag Trier, 2002. 121-132.
Solomon, Alisa. "Signifying on the Signifyin': The Plays of Suzan-Lori Parks." Theater 21.3 (1990): 73-80.