Cummings, Scott T. "HomoFabulator: The Narrative Imperative in Conor McPherson's Plays." Theatre Stuff: Critical Essays on Contemporary Irish Theatre. Ed. Eamonn Jordan. Dublin: Carysfort Press, 2000, 303-312.
Grene, Nicholas. "Ireland in Two Minds: Martin McDonagh and Conor McPherson." Yearbook of English Studies 35 (2005): 298-311.
Grobe, Christopher A. "Love and Loneliness: Secular Morality in the Plays of Conor McPherson." Princeton University Library Chronicle 68:1-2 (2006/07): 684-704.
Jordan, Eamonn. "Pastoral Exhibits: Narrating Authenticities in Conor McPherson's The Weir." Irish University Review 34:2 (2004): 351-368.
Kerrane, Kevin. "The Structural Elegance of Conor McPherson's The Weir." New Hibernia Review/Iris Eireannach Nua 10:4 (2006): 105-121.
Lenz, Peter. "Talking-Cures or Tall Stories? The (Dis-)Establishing of Reality in Conor McPherson's The Weir." In: Self-Reflexivity in Literature, Ed. Werner Huber, Martin Middeke, and Hubert Zapf. Würzburg: Königshausen & Neumann, 2005. 165-177.
McPherson, Conor. "Late Nights and Proclamations." American Theatre 16:4 (1999): 45-46.
O'Donoghue, Mary. "'Fecking Around with These Old Stories': Talkers and Earwitnesses in the Theatre of the Bar." In: Anáil an Bhéil Bheo: Orality and Modern Irish Culture, Ed. Nessa Cronin, Séan Crosson, John Eastlake, and Gearóid Ó Crualaoich. Newcastle upon Tyne: Cambridge Scholars, 2009. 217-227.
Renner, Pamela. "Haunts of the Very Irish." American Theatre 15:6 (1998): 16-19.
Wallace, Clare. "A Micronarrative Imperative: Conor McPherson's Monologue Dramas." Irish Studies Review 14:1 (2006): 1-10.
Watson, Ariel. "Cries of Fire: Psychotherapy in Contemporary British and Irish Drama." Modern Drama 51:2 (2008): 188-210.
Wood, Gerald C. Conor McPherson: Imagining Mischief. Dublin: Liffey, 2003.