Bibliography: Martin McDonagh

Andrews, Charles. "National Tragedy as Religion in Martin McDonagh's Leenane Trilogy." Journal of Religion and Theatre 5:2 (2006): 136-143.

Benecke, Patricia. "Der Gruselgeschichten-Erzahler." Theater Heute 1 (January 2004): 44-48.

Boles, William C. "Violence at the Royal Court: Martin McDonagh's The Beauty Queen of Leenane and Mark Ravenhill's Shopping and Fucking." Theatre Symposium 7 (1999): 125-135.

Cadden, Michael. "Violence, Storytelling, and Irish Aesthetics: A Theatergoer's Guide to Martin McDonagh." Princeton University Library Chronicle 68:1-2 (2006): 671-683.

Carlson, Marvin. "The Mother Tongue and the Other Tongue: The American Challenge in Recent Drama." Global Challenges and Regional Responses in Contemporary Drama in English. Contemporary Drama in English 10. Ed. Jochen Achilles, Ina Bergmann and Birgit Däwes. Trier: Wissenschaftlicher Verlag Trier, 2002. 151-169.

Castleberry, Marion. "Comedy and Violence in The Beauty Queen of Leenane." Martin McDonagh: A Casebook, Ed. Richard Rankin Russell. Abingdon: Routledge, 2007. 41-59.

Cliff, Brian. "The Pillowman: A New Story to Tell." Martin McDonagh: A Casebook, Ed. Richard Rankin Russell. Abingdon: Routledge, 2007. 131-148.

Connor, David J. "He Swaggers: Reflections on the Title Character in The Cripple of Inishmaan." Disability Studies Quarterly 29:1 (2009).

Dean, Joan FitzPatrick. "Martin, McDonagh's Stagecraft." Martin McDonagh: A Casebook, Ed. Richard Rankin Russell. Abingdon: Routledge, 2007. 25-40.

Dean, Joan FitzPatrick. "Tales Told by Martin McDonagh." Nua: Studies in Contemporary Irish Writing 3:1-2 (2002): 57-68.

Diehl, Heath A. "Classic Realism, Irish Nationalism, and a New Breed of Angry Young Man in Martin McDonagh's The Beauty Queen of Leenane." Journal of the Midwest Modern Language Association 34:2 (2001): 98-117.

Doyle, Maria. "Breaking Bodies: The Presence of Violence on Martin McDonagh's Stage." Martin McDonagh: A Casebook, Ed. Richard Rankin Russell. Abingdon: Routledge, 2007. 92-110.

Eldred, Laura. "Martin McDonagh and the Contemporary Gothic." Martin McDonagh: A Casebook, Ed. Richard Rankin Russell. Abingdon: Routledge, 2007. 111-130.

Feeney, Joseph. "Martin McDonagh: Dramatist of the West." Studies: An Irish Quarterly Review 87:345 (1998): 24-32.

Grene, Nicholas. "Ireland in Two Minds: Martin McDonagh and Conor McPherson." Yearbook of English Studies 35 (2005): 298-311.

Harris, Peter James. "Sex and Violence: The Shift from Synge to McDonagh." Hungarian Journal of English and American Studies 10:1-2 (2004): 51-59.

Huber, Werner. "Contemporary Drama as Meta-Cinema: Martin McDonagh and Marie Jones." (Dis)Continuities - Trends and Traditions in Contemporary Theatre and Drama in English. Eds. Margarete Rubik and Elke Mettinger-Schartmann. Contemporary Drama in English 9. Trier: Wissenschaftlicher Verlag Trier, 2002. 13-23.

Huber, Werner. "The Plays of Martin McDonagh." Twentieth-Century Theatre and Drama in English: Festschrift for Heinz Kosok on the Occasion of his 65th Birthday. Ed. Jürgen Kamm. Trier: WVT, 1999. 555-571.

Husband, Andrew. "The Environment of the Moment: Non-Places in Martin McDonagh's The Beauty Queen of Leenane." Texas Theatre Journal 6:1 (2010): 1-13.

Jordan, Eamonn. "The Fallacies of Cultural Narratives, Re-Enactment, Legacy, and Agency in Arthur Miller's Death of a Salesman and Martin McDonagh's The Pillowman." Hungarian Journal of English and American Studies 11:2 (2005): 45-62.

Kim, Hwa Soon. "The Politics of the Body in The Cripple of Inishmaan." Journal of Modern British and American Drama 21:2 (2008): 137-154.

Klein, Hildegard. "Matricide-Violating the Sacred Mother-Daughter Bond in The Beauty of Queen of Leenane." Gender Studies 1:8 (2008): 139-149.

Kryzaniak, Dagmara. "A Disrupted Family in a Troubled Country. A Sociolinguistic Insight into the Domestic/National Crises in the Works of Two Irish Playwrights: Sean O'Casey and Martin McDonagh." Ironies of Art/Tragedies of Life, Ed. Liliana Sikorska. Frankfurt: Peter Lang, 2005. 195-212.

Lachman, Michal. "'From Both Sides of the Irish Sea': The Grotesque, Parody, and Satire in Martin McDonagh's The Leenane Trilogy." Hungarian Journal of English and American Studies 10:1-2 (2004): 61-73.

Lanters, José. "Playwrights of the Western World: Synge, Murphy, McDonagh." A Century of Irish Drama: Widening the Stage, Ed. Stephen Watt. Bloomington, IN: Indiana UP, 2000. 204-222.

Lanters, José. "The Identity Politics of Martin McDonagh." Martin McDonagh: A Casebook, Ed. Richard Rankin Russell. Abingdon: Routledge, 2007. 9-24.

Lenz, Peter. "'Anything new in the feckin' west?': Martin McDonagh's Leenane Trilogy and the Juggling with Irish Literary Stereotypes." (Dis)Continuities - Trends and Traditions in Contemporary Theatre and Drama in English. Eds. Margarete Rubik and Elke Mettinger-Schartmann. Contemporary Drama in English 9. Trier: Wissenschaftlicher Verlag Trier, 2002. 25-37.

Lonergan, Patrick. "'Never Mind the Shamrocks'. Globalizing Martin McDonagh." Martin McDonagh: A Casebook, Ed. Richard Rankin Russell. Abingdon: Routledge, 2007. 149-177.

Lonergan, Patrick. "'The Laughter Will Come of Itself. The Tears Are Inevitable': Martin McDonagh, Globalization, and Irish Theatre Criticism." Modern Drama 47:4 (2004): 636-658.

Lonergan, Patrick. "Too Dangerous to Be Done? Martin McDonagh's Lieutenant of Inishmore." Irish Studies Review 13:1 (2005): 65-78.

Luckhurst, Mary. "Martin McDonagh's Lieutenant of Inishmore: Selling (-Out) to the English." Contemporary Theatre Review 14:4 (2004): 34-41.

McGonigle, Lisa. "Keeping It Reel: Hollywood and Authenticity in Two Recent Irish Plays." What Rough Beasts?: Irish and Scottish Studies in the New Millennium, Ed. Shane Alcobia-Murphy. Newcastle upon Tyne: Cambridge Scholars, 2008. 153-166.

Molloy, Frank. "Cats and Comedy: The Lieutenant of Inishmore Comes to Sydney." ABEI Journal: The Brazilian Journal of Irish Studies 7 (2005): 75-82.

Norman, Lance. "'It Is a Bit Over-Elaborate' or Dumb Waiters, Dead Children and Martinizing the Pinteresque." In : Pinter Et Cetera, Ed. Craig N. Owens. Newcastle upon Tyne: Cambridge Scholars, 2009. 139-158.

O'Brien, Karen. "'Ireland Mustn't Be Such a Bad Place So': Mapping the 'Real' Terrain of the Aran Islands." Journal of Dramatic Theory and Criticism 20:2 (2006): 169-183.

O'Toole, Fintan. "Martin McDonagh." BOMB 63 (Spring 1998): 62-68. online access

O'Toole, Fintan. "A Mind in Connemara: The Savage World of Martin McDonagh." New Yorker 82:3 (March 6, 2006): 40-47.

Peters, Susanne. "The Anglo-Irish Playwright Martin McDonagh: Postmodernist Zeitgeist as Cliche and a (Re)Turn to the Voice of Common Sense." Beyond Postmodernism: Reassessments in Literature, Theory, and Culture, Ed. Klaus Stiersdorfer. Berlin: de Gruyter, 2003. 291-302.

Pilny, Ondrej. "Martin McDonagh: Parody? Satire? Complacency?." Irish Studies Review 12:2 (August 2004): 225-232.

Pocock, Stephanie. "The 'Ineffectual Father Welsh/Walsh'?: Anti-Catholicism and Catholicism in Martin McDonagh's The Leenane Trilogy." Martin McDonagh: A Casebook, Ed. Richard Rankin Russell. Abingdon: Routledge, 2007. 60-76.

Price, Steven. "Martin McDonagh: A Staged Irishman." Cycnos 18:1 (2001): 109-117.

Raab, Michael. "Der Dichter als Großmaul." [ Martin McDonagh.] Die Deutsche Bühne 1: 37-38.

Raab, Michael. Erfahrungsräume. Das englische Drama der neunziger Jahre. CDE Studies 4. Wissenschaftlicher Verlag Trier, 1999.

Raab, Michael. "Die Muhammad Ali-Methode: Der englische Dramatiker Martin McDonagh." Playbill: Die Schönheitskönigin von Leenane von Martin McDonagh. Münchner Kammerspiele/ Werkraum: 1998. 3-7.

Rees, Catherine. "How to Stage Globalisation? Martin McDonagh: An Irishman on T.V." Contemporary Theatre Review 16:1 (2006): 114-122.

Rees, Catherine. "The Good, the Bad, and the Ugly: The Politics of Morality in Martin McDonagh's The Lieutenant of Inishmore." New Theatre Quarterly 21:1 (2005): 28-33.

Richards, Shaun. "'The Outpouring of a Morbid, Unhealthy Mind': The Critical Condition of Synge and McDonagh." Irish University Review 33:1 (2003): 201-214.

Roberts, Robin. "Gendered Media Rivalry: Irish Drama and American Film." Australasian Drama Studies 43 (2003): 108-127.

Roche, Anthony. "Re-Working The Workhouse Ward: McDonagh, Beckett, and Gregory." Irish University Review 34:1 (2004): 171-184.

Russell, Richard Rankin. Martin McDonagh: A Casebook. Abingdon: Routledge, 2007.

Vandervelde, Karen. "The Gothic Soap of Martin McDonagh." Theatre Stuff: Critical Essays on Contemporary Irish Theatre. Ed. Eamonn Jordan. Dublin: Carysfort Press, 2000, 292-302.

Vandevelde, Karen. "Postmodern Theatricality in the Dutch/Flemish Adaptation of Martin McDonagh's The Leenane Trilogy." Martin McDonagh: A Casebook, Ed. Richard Rankin Russell. Abingdon: Routledge, 2007. 77-91.

Wallace, Clare. "'Pastiche Soup,' Bad Taste, Biting Irony and Martin McDonagh." Litteraria Pragensia 15:29 (2005): 3-38.

Wilcock, Mike. "'Put to Silence': Murder, Madness, and 'Moral Neutrality' in Shakespeare's Titus Andronicus and Martin McDonagh's The Lieutenant of Inishmore." Irish University Review 38:2 (2008): 325-369.

Wolf, Matt. "Martin McDonagh on a Tear." American Theatre 15:1 (1998): 48-50.

Worthen, Hana, and W. B. Worthen. "The Pillowman and the Ethics of Allegory." Modern Drama 49:2 (2006): 155-173.

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