Kane, Sarah. Complete Plays: Blasted, Phaedra's Love, Cleansed, Crave, 4.48 Psychosis, Skin. With an introduction by David Greig. London: Methuen, 2001.
Rebellato, Dan. Brief Encounter Platform. Interview with Sarah Kane. London: Royal Holloway College. 3 November 1998. (unpublished)
GENERAL
Aston, Elaine. Feminist Views on the English Stage: Women Playwrights, 1990-2000. Cambridge: CUP, 2003.
Barry, Elizabeth. "Beckett, Sarah Kane and the Theatre of Catastrophe." Matthew Feldman and Mark Nixon (eds.): Beckett's Literary Legacies. Newcastle upon Tyne: Cambridge Scholars; 2007. 169-187.
Benecke, Patricia. "Fixer, Monster und andere Traumgestalten." Theater heute 7/98: 29-32.
Benecke, Patricia. "Im weitesten Sinn." Theater heute 11/98: 96-98.
Berns, Ute. "History and Violence in British Epic Theatre: From Bond and Churchill to Kane and Ravenhill." New Beginnings in Twentieth-Century Theatre and Drama: Essays in Honour of Armin Geraths. CDE Studies 10. Eds. Christiane Schlote and Peter Zenzinger. Trier: Wissenschaftlicher Verlag Trier, 2003. 49-72.
Billington, Michael. "Zwischen Triumph und Depression: Wir sind am Scheideweg." Theater heute 1/97: 37-40.
Bond, Edward. "Sarah Kane und Theater." Theater der Zeit Mai/Juni: 1999. 60 f.
Borgmeier, Raimund. "'Let's make it really, really rude': The British Confrontational Theatre of the 1990s." New Beginnings in Twentieth-Century Theatre and Drama: Essays in Honour of Armin Geraths. CDE Studies 10. Eds. Christiane Schlote and Peter Zenzinger. Trier: Wissenschaftlicher Verlag Trier, 2003. 73-90.
Buse, Peter. Drama + Theory. Critical Approaches to Modern British Drama. Manchester and New York: MUP, 2001.
Cohn, Ruby. "Sarah Kane: an architect of drama." Le Théâtre Britannique au Tournant du Millénaire. Ed. Geneviève Chevallier. CYCNOS 18.1 (Nice: 2001): 39-49.
Dromgoole, Dominic. The Full Room: An A-Z of Contemporary Playwriting. London: Methuen, 2000. (section on Kane)
Earnest, Steve. "Sarah Kane's Plays at the Schaubühne: An Interview with Maja Zade, Dramaturg, Schaubühne am Lehniner Platz, Berlin." Western European Stages 17:3 (2005): 140-43.
Engelhardt, Barbara. "Auftritt: Wien: Blutige Rohkost." Theater der Zeit März/April: 1998: S. 65-67
Fuchs, Herbert. "'Schwarzer Schnee' – 'schwarze Verzweiflung'. Zum Werk der britischen Dramatikerin Sarah Kane." Marbuger Forum. Beiträge zur geistigen Situation der Gegenwart 3 (2003): http://www.marburger-forum.de/mafo/heft2003-03/Sarah_Kane.htm
Gritzner, Karoline. "The Fading of the Subject in Sarah Kane's Later Work." Daniel Meyer-Dinkgräfe (ed.): Consciousness, Theatre, Literature and the Arts. Newcastle upon Tyne: Cambridge Scholars; 2006. 249-257.
Gritzner, Karoline. "(Post)Modern Subjectivity and the New Expressionism: Howard Barker, Sarah Kane, and Forced Entertainment." Contemporary Theatre Review 18:3 (2008): 328-340.
Haas, Birgit. "Gender-Performanz und Macht: (Post)feministische Mythen bei Sarah Kane und Dea Loher." Birgit Haas (ed.): Macht: Performativität, Performanz und Polittheater seit 1990. Würzburg: Königshausen & Neumann, 2005. 197-226.
Heine, Mathias. "Furcht und Elend der Neunziger." Die Welt 26.02.1999.
Heymes, Lorraine-Soëli. "Regard et culpabilité chez Sarah Kane." Le drame du regard. Théâtralité de l'œuvre d'art?. Ed. Thomas Hunkeler. Berne: Peter Lang, 2002.
Houlahan, Mark. "Postmodern Tragedy?: Returning to John Ford." Sarah Annes Brown and Catherine Silverstone (eds.): Tragedy in Transition. Malden, MA: Blackwell, 2007. 249-259.
"Im freien Fall: Zum Selbstmord von Sarah Kane": Theater der Zeit März/April: 1999. 1.
Jolly, Genevieve. "Le Theatre de Sarah Kane: Poetique de la violence." Revue d'Etudes Theatrales 9-10 (2004/5): 53-62.
Karasek, Hellmuth. "Kein Skandal mehr!" Der Tagesspiegel 14.12.1998.
Kralicek, Wolfgang. "Write a Play": Theater heute 4/98. 70 f.
Landes, Brigitte. "Büchners Schwester." Der Tagesspiegel 24.02.1999.
Lesage, Marie-Christine. "De Sénèque à Kane: Monstres et cruauté symbolique." Revue d'Etudes Theatrales 9-10 (2004/5): 41-51.
Luckhurst, Mary. "Contemporary English Theatre: Why Realism?" (Dis)Continuities - Trends and Traditions in Contemporary Theatre and Drama in English. Eds. Margarete Rubik and Elke Mettinger-Schartmann. Contemporary Drama in English 9. Trier: Wissenschaftlicher Verlag Trier, 2002. 73-84.
Luckhurst, Mary. "Infamy and Dying Young: Sarah Kane, 1971-1999." Mary Luckhurst and Jane Moody (eds.): Theatre and Celebrity in Britain, 1660-2000. Basingstoke: Palgrave Macmillan; 2005. 107-24.
Mistrik, Milos. "Sarah Kane - Le Suicide du dialogue." Revue d'Etudes Theatrales 11-12 (2006/7): 101-07.
Morris, Peter. "The brand of Kane." Areté 4 (Winter 2000): 142-55.
Müller-Wood, Anja. "In-YerFace Theatre: Sarah Kane." Das englische Drama der Gegenwart: Kategorien, Entwicklungen, Modelinterpretationen. Ed. Merle Tönnies. Trier: WVT, 2010. 13-30.
Opel, Anna. Sprachkörper. Zur Relation von Sprache und Körper in der zeitgenössischen Dramatik – Werner Fritsch, Rainald Goetz, Sarah Kane. Bielefeld: Aisthesis, 2002.
Pame, Ousmane Aly. "Sarah Kane's 'In-Yer-Face' Theatrical Paradigms: A Study of Blasted (1995), Phaedra's Love (1996), Cleansed (1998), Crave (1998) and 4.48 Psychosis (2000)." Mamadou Kandji (ed.): Women's Studies, Diasporas and Cultural Diversity: Essays in Literary Criticism and Culture. Dakar: PU de Dakar; 2008. 325-42.
Pankratz, Annette. "Signifiying Nothing and Everything: The Extension of the Code and Hyerreal Simulations." Extending the Code: New Forms of Dramatic and Theatrical Expression. Contemporary Drama in English 11. Ed. Hans-Ulrich Mohr and Kerstin Mächler. Trier: Wissenschaftlicher Verlag Trier, 2004. 63-78.
Parry, Philip. "Sarah Kane (1971-1999)." Jay Parini (ed.): British Writers: Supplement VIII. New York: Scribner's; 2003. 147-61.
Perrino, Vincenzo Ruggiero. "La breve ed inquieta vita di Sarah Kane." Silarus: Rassegna Bimestrale di Cultura 46 (2006): 81-86.
Preusser, Gerhard. "Sex gestrichen - Sprache ist Macht." Theater heute 6/98: 43-45.
Rosapane, Tiziana. "'Just a Word on a Page and There Is the Drama': Sarah Kane's Autobiographical Archive." Anglistica: Istituto Universitario Orientale di Napoli Dipartimento di Studi Letterari e Linguistici dell'Occidente, Annali Studi di Anglistica 8:1-2 (2004): 203-18, 290.
Saal, Ilka. "Making It Real? Theatre in Times of Virtual Warfare." Richard Pine, Richard and Eve Patten (eds.): Literatures of War. Newcastle upon Tyne: Cambridge Scholars; 2008. 400-417.
Saal, Ilka. "Making It Real? Theatre in Times of Virtual Warfare." Journal of American Drama and Theatre 20:2 (2008): 65-86.
Saunders, Graham. "The Apocalyptic Theatre of Sarah Kane." British Drama of the 1990s. Eds. Bernhard Reitz and Mark Berninger. Anglistik & Englischunterricht 64 (2002): 123-135.
Saunders, Graham. 'Love me or kill me.' Sarah Kane and the Theatre of Extremes. Manchester: Manchester UP.
Saunders, Graham. "'Just a Word on a Page and There Is the Drama.' Sarah Kane's Theatrical Legacy." Contemporary Theatre Review 13:1 (2003): 97-110.
Sierz, Aleks. "Cool Britannia? 'In-yer-face' writing in the British theatre today." New Theatre Quarterly 56 (November 1998): 324-333.
Sierz, Aleks. In-Yer-Face Theatre: British Drama Today. London: Faber and Faber, 2001.
Sierz, Aleks. "Sarah Kane checklist." New Theatre Quarterly 67 (August 2001): 285-290.
Sierz, Aleks. "Shocking and fumbling: censorship and British theatre today." Paper delivered at the European Theatre: Justice and Morality international conference at the University of London School of Advanced Study, Senate House, London, 17-19 June 1998.
Sierz, Aleks. "'To Recommend a Cure': Beyond Social Realism and In-Yer-Face Theatre." Extending the Code: New Forms of Dramatic and Theatrical Expression. Contemporary Drama in English 11. Ed. Hans-Ulrich Mohr and Kerstin Mächler. Trier: Wissenschaftlicher Verlag Trier, 2004. 45-62.
Sierz, Aleks. "Sarah Kane." John Bull, John (ed.): British and Irish Dramatists since World War II. Detroit, MI: Thomson Gale, 2005. 105-14.
Singer, Annabelle. "Don't Want to Be This: The Elusive Sarah Kane." The Drama Review 48 (2004): 139-71.
Smith, Mal. "Sarah Kane: a nineties 'take' on cruelty." Antonin Artaud and His Legacy. London: Theatre Museum Education Pack, [1999].
Soncini, Sara. "New Order, New Borders: Post-Cold War Europe on the British Stage." Richard Littlejohns and Sara Soncini (eds.): Myths of Europe. Amsterdam: Rodopi; 2007. 247-61.
Stephenson, Heidi, and Natasha Langridge. Rage and Reason - Women Playwrights on Playwriting. London 1997. [Interview with Sarah Kane].
Tabert, Nils, ed. Playspotting: Die Londoner Theaterszene der 90er Reinbeck: Rowohlt, 1998.
Tönnies, Merle. "The 'Sensationalist Theatre of Cruelty' in 1990s Britain, its 1960s Forebears and the Beginning of the 21st Century." (Dis)Continuities - Trends and Traditions in Contemporary Theatre and Drama in English. Eds. Margarete Rubik and Elke Mettinger-Schartmann. Contemporary Drama in English 9. Trier: Wissenschaftlicher Verlag Trier, 2002. 55-71
Torti-Alcayaga, Agathe. "L'oeuvre de Sarah Kane: le théâtre de la défaite." Le Théâtre britannique au Tournant du Millénaire. Ed. Geneviève Chevallier. CYCNOS 18.1 (Nice: 2001): 51-62.
Urban, Kenneth. "An Ethics of Catastrophe: The Theatre of Sarah Kane." PAJ: A Journal of Performance and Art 69 (September 2002): 36-46.
Urban, Ken. "Towards a Theory of Cruel Britannia: Coolness, Cruelty, and the Nineties." New Theatre Quarterly 20:4 (2004): 354-72.
Wandor, Michelene. Post-war British Drama: Looking Back in Gender. London: Routledge, 2001.
Waters, Steve. "Sarah Kane: From Terror to Trauma." Mary Luckhurst, Mary (ed.): A Companion to Modern British and Irish Drama, 1880-2005. Malden, MA: Blackwell; 2006. 371-82.
Zimmermann, Heiner. "Theatrical Transgression in Totalitarian and Democratic Societies: Shakespeare as a Trojan Horse and the Scandal of Sarah Kane." Crossing Borders: Intercultural Drama and Theatre at the Turn of the Millennium. Eds. Bernhard Reitz and Alyce von Rothkirch. Contemporary Drama in English 8. Trier: Wissenschaftlicher Verlag Trier, 2001. 173-182.
BLASTED
Choi, Young-Joo. "Performing Un-Represented Images in Lavonne Muller's (Mueller's) Hotel Splendid, Sarah Kane's Blasted, and Caryl Churchill's Far Away." Journal of Modern British and American Drama 19:2 (2006): 101-28.
Emig, Rainer. "Blasting Jane: Jane Eyre as an Intertext of Sarah Kane's Blasted." Margarete Rubik and Elke Mettinger-Schartmann (eds.): A Breath of Fresh Eyre: Intertextual and Intermedial Reworkings of Jane Eyre. Amsterdam: Rodopi; 2007. 391-404.
Grund, Stefan. "Sprachgewaltige Sehnsucht nach Friedfertigkeit." & "Zerbombt." Theater der Zeit Nov/Dez 1996: 86-98.
Iball, Helen. Sarah Kane's Blasted. London: Continuum; 2008.
Kahle, Ulrike. "Ein ekelerregendes Fest des Unflats? Sarah Kane: Zerbombt." Theater heute 11/96: 54f.
Orth, Eva-Maria. "Sarah Kane, Blasted (1995)." Susanne Peters, Klaus Stierstorfer and Laurenz Volkmann (eds.): Drama, Part I. Trier: Wissenschaftlicher Verlag Trier, 2006. 221-235.
Saunders, Graham. "'Out Vile Jelly': Sarah Kane's Blasted and Shakespeare's King Lear." New Theatre Quarterly 20 (2004): 69-78.
Schnierer, Peter Paul. "The Theatre of War: English Drama and the Bosnian Conflict." Drama and Reality. Ed. Bernhard Reitz. Contemporary Drama in English 3. Wissenschaftlicher Verlag Trier, 1996. 101-10.
Sellar, Tom. "Truth and Dare: Sarah Kane's Blasted." Theater (New Haven, CT.) 1996, 27:1, 29-34.
Sierz, Aleks. "'The element that most outrages': Morality, Censorship and Sarah Kane's Blasted" European Studies 17 (2001): 225-239.
Solga, Kim. "Blasted's Hysteria: Rape, Realism, and the Thresholds of the Visible." Modern Drama 50:3 (2007): 346-74.
Wixson, Christopher. "'In Better Places': Space, Identity, and Alienation in Sarah Kane's Blasted." Comparative Drama 39:1 (2005): 75-91.
PHEDRA'S LOVE
Brusberg-Kiermeier, Stefani. "Re-writing Seneca: Sarah Kane's Phaedra's Love." Crossing Borders: Intercultural Drama and Theatre at the Turn of the Millennium. Eds. Bernhard Reitz and Alyce von Rothkirch. Contemporary Drama in English 8. Trier: Wissenschaftlicher Verlag Trier, 2001. 165-172.
Le Roux, Monique. "Le théâtre de Sarah Kane." La Quinzaine littéraire. 01/10/2000.
Martinez Luciano, Juan V.: "Sarah Kane y El amor de Fedra." Francesco De Martino and Carmen Morenilla (eds.): El caliu de l'oikos. Bari: Levante, 2004. 373-83.
Nicolas Roman, Susana. "Phaedra's Love by Sarah Kane: Sex, Violence, and Religion." Maria Losada Friend et al. (eds.): Proceedings of the 30th International Conference of AEDEAN. Huelva: Universidad de Huelva, 2007.
Pankratz, Annette. "Greek to Us? Appropriations of Myths in Contemporary British and Irish Drama." Crossing Borders: Intercultural Drama and Theatre at the Turn of the Millennium. Eds. Bernhard Reitz and Alyce von Rothkirch. Contemporary Drama in English 8. Trier: Wissenschaftlicher Verlag Trier, 2001. 151-163.
Rippl, Gabriele. "Culture and Transgression: Phaedra's Illicit Love and Its Cultural Transformations." REAL 20 (2004): 165-82.
CLEANSED
"Cleansed." Theatre Record (23 April-6 May 1998): 563-568.
CRAVE
"Gier." Theater heute 12/99: 60-67.
Lépinois, Gérard. "'Hypertexte' contre hypertexte. Manque." Théâtre Public. [Revue bimestrielle publié par le Théâtre de Gennevilliers.] Janvier-Fevrier 2001. 40f.
Le Roux, Monique. "Quatour dans une tribune." La Quinzaine littéraire. 16/03/2000.
Mangold, Alex. "The Empty I' - Echoes of Subjectivity in Sarah Kane's Crave ." Meyer-Dinkgräfe, Daniel (ed.). Consciousness, Theatre, Literature and the Arts 2007 . Newcastle : Cambridge Scholars Publishing, 2007. 116-126.
Urban, Kenneth. Review of Sarah Kane's Crave, in Theatre Journal 53.3 (October 2001): 496-498.
Voigts-Virchow, Eckart. "Sarah Kane, a Late Modernist: Intertextuality and montage in the broken images of Crave (1998)." What Revels Are in Hand: Assessments of Contemporary Drama in English in Honour of Wolfgang Lippke. Eds. Bernhard Reitz and Heiko Stahl. CDE-Studies 8. Trier: Wissenschaftlicher Verlag Trier, 2001. 205-220.
4.48 PSYCHOSIS
Kaplan, Ellen W., "The Cage is My Mind: Object and Image in Depicting Mental Illness on Stage." Studies in Theatre & Performance 25:2 (2005), 115-128.
Gritzner, Karoline: "The Fading Subject in Sarah Kane's Later Work." Meyer-Dinkgräfe, Daniel (ed.). Consciousness, Theatre, Literature and the Arts . Newcastle : Cambridge Scholars Publishing, 2006. 249-257.
Le Roux, Monique. "Juste avant la fin." La Quinzaine littéraire. 01/12/2001.
Sanchez-Palencia Carazo, Carolina. "4.48 Psychosis: Sarah Kane's 'Bewildered Fragments'." Barcelona English Language and Literature Studies 15 (2006): 1-9.
Thomas, Steve. "4:49 Psychosis." Theatre Journal 57:2 (2005), 298-300.
Tycer, Alicia. "'Victim. Perpetrator. Bystander': Melancholic Witnessing of Sarah Kane's 4.48 Psychosis." Theatre Journal 60:1 (2008): 23-36.
Watson, Ariel. "Cries of Fire: Psychotherapy in Contemporary British and Irish Drama." Modern Drama 51: 2 (2008): 188-210.
21 July 2009