Bibliography: David Hare

"After Fanshen: A Discussion." Performance and Politics in Popular Drama: Aspects of Popular Entertainment in Theatre, Film and Television 1800-1976, Ed. David Bradby. Cambridge: Cambridge UP, 1980. 297-314.

Ansorge, Peter. "'Stopping for Lunch': The Political Theatre of David Hare." The Cambridge Companion to David Hare, Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 92-106.

Bar-Yosef, Eitan. "'I'm Just a Pen': Travel, Performance, and Orientalism in David Hare's Via Dolorosa and Acting Up." Theatre Journal 59:2 (2007): 259.

Bicât, Tony. "Portable Theatre: 'Fine Detail, Rough Theatre'." The Cambridge Companion to David Hare, Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 15-30.

Blansfield, Karen C. "Law and Order: Exploring the British Legal System in David Hare's Murmuring Judges." Literature and Law, Ed. Meyer, Michael J.. Amsterdam: Rodopi, 2004. 37-49.

Boon, Richard. The Cambridge Companion to David Hare. Cambridge, England: Cambridge UP, 2007.

Boon, Richard. "Hare on Film." The Cambridge Companion to David Hare, Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 169-180.

Boon, Richard. "Keep Turning Up: Hare's Early Career." The Cambridge Companion to David Hare, Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 32-48.

Borowski, Mateusz, and Malgorzata Sugiera. "Reality Built upon Fiction: Redefinition of Documentary Strategies in the Recent British Verbatim Theatre." Fictional Realities/Real Fictions: Contemporary Theatre in Search of a New Mimetic Paradigm, Ed. Mateusz Borowski and Malgorzata Sugiera. Newcastle upon Tyne: Cambridge Scholars, 2007. 189-198.

Bottoms, Stephen. "Putting the Document into Documentary: An Unwelcome Corrective?." The Drama Review 50:3 (2006): 56-68.

Brown, John Russell. "Playing with Place: Some Filmic Techniques in the Plays of David Hare." Modern Dramatists: A Casebook of Major British, Irish, and American Playwrights, Ed. King, Kimball. New York: Routledge, 2001. 133-151.

Bull, John. "'Being Taken No Notice Of in Ten Million Homes': David Hare's Adventures in Television." The Cambridge Companion to David Hare, Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 153-168.

Buxbaum, Martin. "'It's All Politics, Stupid!': David Hare and Mark Ravenhill's Latest, Via Dolorosa and Some Explicit Polaroids." (Dis)Continuities - Trends and Traditions in Contemporary Theatre and Drama in English. Eds. Margarete Rubik and Elke Mettinger-Schartmann. Contemporary Drama in English 9. Trier: Wissenschaftlicher Verlag Trier, 2002. 47-56.

Callens, Johan. "Van 'Angry Young Men' tot 'Angry Women': Brits theater en politiek engagement." Documenta: Mededelingen van het Documentatiecentrum voor Dramatische Kunst Gent-Tijdschrift voor Theater 15:4 (1997): 221-240.

Cardullo, Bert. "Brecht and Fanshen." Gestus: The Electronic Journal of Brechtian Studies 1:3-4 (1985-86): 41-49.

Cardullo, Bert. "Fanshen, Western Drama, and David Hare's Oeuvre." San Jose Studies 10:2 (1984): 31-41.

Cardullo, Bert. "Hare's Plenty." Explicator 43:2 (1985): 62-63.

Cardullo, Bert. "Essays on Drama, I: Two Notes on Leonce and Lena; II: Shakespeare, Pinter, and Hare: Four Notes on British Drama." The Language Quarterly 25.1-2 (1986): 3-7, 12.

Cardullo, Bert. "Playing on Words: Four Notes on the Drama of David Hare." The Language Quarterly 24.3-4 (1986): 44-46.

Cornish, Roger N. "David Hare." British Dramatists since World War II: Part I: A-L. Detroit, MI: Thomson Gale, 1982. 234-243.

Dean, Joan FitzPatrick. David Hare. Twayne's English Authors Series 480 (Boston/Oxford: 1990).

Deeney, John. "David Hare and Political Playwriting: Between the Third Way and the Permanent Way." A Companion to Modern British and Irish Drama, 1880-2005, Ed. Luckhurst, Mary. Malden, MA: Blackwell, 2006. 429-440.

DeVinney, Karen. "David Hare's Wetherby (1985): The Failure of Logic in a Logical Form." South Central Review 14:1 (1997): 47-55.

DeVinney, Karen. "Transmitting the Bildungsroman to the Small Screen: David Hare's Dreams of Leaving and Heading Home." Literature Film Quarterly 24:1 (1996): 92-98.

Donesky, Finlay. David Hare: Moral and Historical Perspectives. Contributions in Drama and Theatre Studies 75 (Westport, Conn.: 1996).

Eyre, Richard. "Directing Hare." The Cambridge Companion to David Hare, Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 138-149.

Fraser, Kennedy. "Straying from the Way." New Yorker (December 4, 1995): 48.

Fraser, Scott. A Politic Theatre: The Drama of David Hare. Amsterdam: Rodopi, 1996.

Free, William J. "Mischief and Frustration in David Hare's Knuckle." Legacy of Thespis, Ed. Hartigan, Karelisa. Lanham, MD: UP of America, 1984. 23-29.

"From Portable Theatre to Joint Stock ... via Shaftesbury Avenue, Interview with the Author of Knuckle, Fanshen and Teeth'n'Smiles." Theatre Quarterly 5.10 (1975/76): 108-115.

Gale, Steven H. "Sex and Politics: David Hare's Plenty." Drama, Sex and Politics. Cambridge: Cambridge UP, 1985. 213-220.

Gaston, Georg. "Interview: David Hare." Theatre Journal 45:2 (1993): 213-225.

Gindin, James. "Freedom and Form in David Hare's Drama." British and Irish Drama since 1960, Ed. James Acheson. Houndmills: Macmillan, 1993. 162-175.

Golomb, Liorah Anne. "Saint Isobel: David Hare's The Secret Rapture as Christian Allegory." Modern Drama 33:4 (1990): 563-574.

Hail, Lyn (ed). Asking Around. Background to the David Hare Trilogy. London: Faber & Faber, 1993.

Han, Younglim. "Socializing the Church of England to the Rules of the Marketplace: David Hare's Racing Demon." Journal of Modern British and American Drama 15:1 (2002): 5-32.

Hammond, Jonathan. "David Hare." Contemporary Dramatists. Ed. James Vinson. London: ²1977. 361-364.

Homden, Carol. The Plays of David Hare. Cambridge : Cambridge UP, 1995.

Hornby, Richard. "Political Drama." Hudson Review 43:1 (1990): 121-129.

Innes, C. D. "Towards a Post-millennial Mainstream? Documents of the Times." Modern Drama 50:3 (2007): 435-452.

Johnstone, Richard. "Television Drama and the People's War: David Hare's Licking Hitler, Ian McEwan's The Imitation Game, and Trevor Griffith's Country." Modern Drama 28:2 (1985): 189-197.

Johnstone, Richard. "Television Drama and the People's War: David Hare's Licking Hitler, Ian McEwan's The Imitation Game, and Trevor Griffiths's Country." Contemporary British Drama, 1970-90, Ed. Hersh Zeifman. Toronto: U of Toronto P, 1993. 295-306.

Kim, Yoo. "Contesting the Ideology of Post-War 'Affluence': A Study on David Hare's Plenty." Journal of Modern British and American Drama 19:1 (2006): 129-150.

Kim, Yoo. "Demythologising the Second World War: David Hare's Licking Hitler." Journal of Modern British and American Drama 16:1 (2003): 101-127.

Klein, Julia M. "Personal Politics in the Plays of David Hare." Chronicle of Higher Education 53:17 (December 15, 2006): B14.

Korte, Barbara, and Ralf Schneider. "The Published Screenplay-A New Literary Genre?" Arbeiten aus Anglistik und Amerikanistik 25:1 (2000): 89-105.

Kurdi, M&aactue;ria. "The Priest Character's Space and Function in Contemporary British and Irish Drama." The Professions in Contemporary Drama, Ed. Daniel Meyer-Dinkgräfe. Bristol: Intellect, 2003. 59-74.

Kuti, Elizabeth. "Tragic Plots from Bootle to Baghdad." Contemporary Theatre Review 18:4 (2008): 457-469.

Lewis, P. "Profile: David Hare, Playwright of Conviction: The Lone Wolf of the Radical Pack." The Independent (8 October 1988) 14.

Luckhurst, Mary. "Contemporary English Theatre: Why Realism?" (Dis)Continuities - Trends and Traditions in Contemporary Theatre and Drama in English. Eds. Margarete Rubik and Elke Mettinger-Schartmann. Contemporary Drama in English 9. Trier: Wissenschaftlicher Verlag Trier, 2002. 73-84.

Ludlow, Colin."David Hare." Modern British Dramatists. Ed. John Russel Brown. Englewood Cliffs: 1984. 83-97.

MacGregor, Catherine. "David Hare." British and Irish Dramatists since World War II. Detroit, MI: Thomson Gale, 2005. 87-104.

Mazhar, Amal. "The Suez Crisis: A Touchstone for Self-Consciousness: Youssef Idris' The Crucial Moment and David Hare's Plenty." Encounters in Language and Literature, Ed. Hoda Gindi. Cairo: Jami'at al-Qahirah, 1993. 265-284.

Mangan, Michael. "'Marbled with Doubt': Satire, Reality and the Alpha Male in the Plays of David Hare." The Cambridge Companion to David Hare, Ed. Richard Boon. Cambridge, England: Cambridge UP, 2007. 220-235.

Megson, Chris, and Dan Rebellato. "'Theatre and Anti-Theatre': David Hare and Public Speaking." The Cambridge Companion to David Hare, Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 236-249.

Merlin, Bella. "Acting Hare: The Permanent Way." The Cambridge Companion to David Hare, Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 123-138.

Merlin, Bella. "The Permanent Way and the Impermanent Muse." Contemporary Theatre Review 17:1 (2007): 41-49.

Müller-Muth, Anja. "Writing 'Wilde': The Importance of Re-Presenting Oscar Wilde in Fin-de-Millénaire Drama in English (Stoppard, Hare, Ravenhill)." The Importance of Reinventing Oscar: Versions of Wilde during the Last 100 Years, Ed. Uwe Böker, Richard Corballis, and Julie A. Hibbard. 219-227. Amsterdam, Netherlands: Rodopi, 2002.

Neubert-Köpsel, Isolde. "Jokers in the Pack: Satire and Metaphor in David Hare’s Racing Demon (1990)." Race and Religion. Ed. Bernhard Reitz. Contemporary Drama in English 6. Wissenschaftlicher Verlag Trier, 1999. 33-41.

Nicholson, Steve. "To Ask How Things Might Have Been Otherwise." The Cambridge Companion to David Hare, Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 183-199.

Oliva, Judy Lee. "David Hare (1947- )." British Playwrights, 1956-1995: A Research and Production Sourcebook, Ed. William W. Demastes. Westport, CT: Greenwood, 1996. 207-219.

Oliva, Judy Lee. David Hare: Theatricalizing Politics. Theatre and Dramatic Studies 66 (Ann Arbor: 1990).

Oliva, Judy Lee. "Directing David Hare's The Secret Rapture: Issues toward a New Aesthetic Praxis." Journal of Dramatic Theory and Criticism 11:2 (1997): 101-114.

Oliva, Judy Lee. "Religion and Relevancy in David Hare's Racing Demon: Connecting the Prose with the Passion." Journal of Religion and Theatre 5:1 (2006): 9-15.

Pagan, Nicholas O. "Decentering the Subject: David Hare's Wetherby." Social and Political Change in Literature and Film, Ed. Richard Chapple. Gainesville: UP of Florida, 1994. 53-63.

Page, Malcolm, comp. File on Hare. London: 1990.

Paton, Maureen. Review of The David Hare Trilogy. The Guardian (4 October 1993); in London Theatre Record (24 September - 7 October 1993): 1090.

Pattie, David. "The Common Good: The Hare Trilogy." Modern Drama 42:3 (1999): 363-374.

Peacock, D. Keith. "Fact versus History: Two Attempts To Change the Audience's Political Perspective." Theatre Studies 31-32 (1985-86): 15-31.

Powell, Susana. "David Hare (1947- )." British Writers: Supplement IV, Ed. George Stade and Carol Howard. New York: Scribner's, 1997. 281-300.

Pym, John. "Oh, To Be in England: On Yorkshire Locations with Alan Bennett and David Hare." Sight and Sound 53:4 (1984): 262.

Reinelt, Janelle. "Performing Histories: Plenty and A Map of the World." The Cambridge Companion to David Hare, Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 200-219.

Ridgman, Jeremy. David Hare. Plymouth: 1996.

Robinson, Marc. "Breaking the Bond with Edward Bond." Theater 21:1-2 (January 1989): 23-28.

Rieuwerts, Sigrid. "Sacraments and Sacrifices: On David Hare’s Racing Demon." Race and Religion. Ed. Bernhard Reitz. Contemporary Drama in English 6. Wissenschaftlicher Verlag Trier, 1999. 23-32.

Rubik, Margarethe. "Documentary Drama: David Hare." Das englische Drama der Gegenwart: Kategorien, Entwicklungen, Modelinterpretationen. Ed. Merle Tönnies. Trier: WVT, 2010. 65-80.

Sakellaridou, Elizabeth. "David Hare: National Theatre's (Dissident?) Laureate." Anglistentag 1996 Dresden. Proceedings, Proceedings of the German Association of UniversityTeachers of English 18. Eds. Uwe Boeker, Hans Sauer (Trier: 1997) 259-266.

Schaefer, Karine. "Hare's Via Dolorosa and the Witness Protection Program." New England Theatre Journal 14 (2003): 1-24.

Schiavi, Michael R. "Wildean War: Politics of Fins-de-siècle Spectatorship." Modern Drama 47:3 (2004): 399-422.

"Selbstzweifel als Tugend. Spiegel-Interview mit dem britischen Dramatiker David Hare." Der Spiegel 49 (1985): 218-221.

Sorour, Wafaa H. "The Themes of Exile, Displacement, and Diaspora in the Works of David Hare and Mourid Barghouti." Trans: Internet-Zeitschrift für Kulturwissenschaften 15 (July 2004). online access

Soto-Morettini, Donna. "Trouble in the House: David Hare's Stuff Happens." Contemporary Theatre Review 15:3 (2005): 309-319.

Stebner, Gerhard. "David Hare: Slag." Das Englische Drama der Gegenwart: Interpretationen, Ed. Horst Oppel. Berlin: Schmidt, 1976. 192-205.

Steyn, Mark. "Sad, Perfunctory, Mechanical." New Criterion 17:6 (1999): 44-48.

Su, John J. "Nostalgic Rapture: Interpreting Moral Commitments in David Hare's Drama." Modern Drama 40:1 (1997): 23-37.

Summers, Alison. "David Hare's Drama, 1970-1981. An Interview." The Centennial Review 36 (1992): 573-591.

Svich, Caridad. "The Politics of Engagement: British Drama Stateside." Contemporary Theatre Review 17:2 (2007): 251-255.

Taylor, Lib. "In Opposition: Hare's Response to Thatcherism." The Cambridge Companion to David Hare, Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 49-63.

Thomsen, Christian W. "David Hare: Teeth'n'Smiles." Englische Literatur der Gegenwart 1971-1975. Ed. Rainer Lengeler. Düsseldorf: Bagel, 1977. 56-67.

Turner, Cathy. "Hare in Collaboration: Writing Dialogues." The Cambridge Companion to David Hare, Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 109-122.

Wade, Les. "Hare's Trilogy at the National: Private Moralities and the Common Good." The Cambridge Companion to David Hare, Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 64-78.

Weber, Myles. "David Hare's Via Dolorosa." New England Review: Middlebury Series 22:1 (2001): 71-74.

Westgate, J. Chris. "David Hare's Stuff Happens in Seattle: Taking a Sober Account." New Theatre Quarterly 25:4 (2009): 402-418.

Wilcher, Robert. "Pravda: A Morality Play for the 1980s." Modern Drama 33:1 (1990): 42-56.

Williams, Christopher, and Gaetano D'Elia. La scrittura multimediale di David Hare. Fasano: Schena, 1989.

Wolf, Werner. "Spiel im Spiel und Politik: Zum Spannungsfeld literarischer Selbst-und Fremdbezüglichkeit im zeitgenössischen englischen Drama." Poetica: Zeitschrift für Sprach- und Literaturwissenschaft 24:1-2 (1992): 163-194.

Wolf, Matt. "The Prime of David Hare." American Theatre 16:1 (1999): 64-66.

Wu, Duncan. Six Contemporary Dramatists: Bennett, Potter, Gray, Brenton, Hare, Ayckbourn. Basingstoke: 1995.

Wu, Duncan. "Hare's 'Stage Poetry,' 1995-2002." The Cambridge Companion to David Hare, Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 79-91.

Zeifman, Hersh (ed.). David Hare. A Casebook. Garland Reference Library of the Humanities 1240 / Casebooks on Modern Dramatists 18 (New York: 1994).

Wullen, T. Lothar. "Interkulturelle Ansätze am Beispiel eines Gegenwartsdramas: David Hare, Skylight." Fremdsprachenunterricht: Zeitschrift für das Lehren und Lernen Fremder Sprachen 3 (1997): 169-172.

Young, Stuart. "Making the 'Unstageable' Stageable: English Rewritings of Chekhov's First Play." Modern Drama 52:3 (2009): 325-350.

Zmij-Zielinska, Danuta. "Wojna Davida Hare'a." Dialog: Miesiecznik Poswiecony Dramaturgii Wspolczesnej: Teatralnej, Filmowej, Radiowej, Telewizyj 26:5 (1981): 116-124.

Zojer, Heidi. "Vienna-London-Belfast: Schnitzler's Reigen on the Translation Roundabout." New Theatre Quarterly 25:1 (2009): 88-98.

Links:
  • The Harry Ransom Humanities Research Center: David Hare
    http://mahogany.lib.utexas.edu:1000/Libs/HRC/fa/hare.hp.html
  • David Hare: Biographical Sketch
    http://www.lib.utexas.edu/Libs/HRC/fa/hare.bio.html
  • David Hare: Biographical Sketch
    http://www.imagi-nation.com/moonstruck/clsc52.html
 

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