Frontline Intelligence (includes Europe). London: Methuen, 1994.
One Way Street. 1995.
The Architect. London: Faber and Faber/Traverse, 1996.
Europe/The Architect. London: Methuen, 1996.
Danny 306 + Me (4Ever). Traverse, 1999.
The Cosmonaut's Last Message to the Woman He Once Loved in the Former Soviet Union. London: Methuen, 1999.
The Speculator/The Meeting. London: Methuen, 1999.
Victoria. London: Methuen, 2000.
Casanova. London: Faber and Faber, 2001.
Dr. Korczak's Example. Edinburgh: Capercaillie, 2001.
Battle of Will. London: Oberon, 2002.
Greig Plays: 1 (contents: Europe, The Architect, The Cosmonaut's Last Message to the Woman He Once Loved in the Former Soviet Union). London: Methuen, 2002.
Outlying Islands. London: Faber and Faber, 2002.
Caligula. London: Faber and Faber, 2003.
San Diego. London: Faber and Faber, 2003.
Oedipus the Visionary. Edinburgh: Capercaillie, 2005.
Pyrenees. London: Faber and Faber, 2005.
The American Pilot. London: Faber and Faber, 2005.
Yellow Moon. London: Faber and Faber, 2006.
Damascus. London: Faber and Faber, 2007.
Greig, David. "Introduction". Sarah Kane. Complete Plays: Blasted, Phaedra's Love, Cleansed, Crave, 4.48 Psychosis, Skin. London: Methuen, 2001.
Blattes, Susan. "Une Societe en decomposition? La Grande-Bretagne vue par quatre dramaturges contemporains." Cycnos 18:1 (2001): 119-32.Holdsworth, Nadine. "Travelling across Borders: Re-Imagining the Nation and Nationalism in Contemporary Scottish Theatre." Contemporary Theatre Review 13:2 (2003): 25-39.
Müller, Anja. "'We are also Europe:' Staging Displacement in David Greig's Plays." Staging Displacement, Exile and Diaspora. Eds. Christoph Houswitschka and Anja Müller. Contemporary Drama in English 12. Trier: Wissenschaftlicher Verlag Trier, 2005. 151-168.
Nesteruk, Peter. "Ritual, Sacrifice, and Identity in Recent Political Drama – with Reference to the Plays of David Greig." Journal of Dramatic Theory and Criticism 15.1 (2000): 21-42.
Raab, Michael. "Zuhause in der Suspect Culture." Theater Heute 8-9 (Aug. 2006): 60-64.
Rebellato, Dan. "'And I Will Reach Out My Hand with a Kind of Infinite Slowness and Say the Perfect Thing': The Utopian Theatre of Suspect Culture." Contemporary Theatre Review 13:1 (2003): 61-80.
Rebellato, Dan. "National Theatre of Scotland: The First Year." Contemporary Theatre Review 17.2 (2007): 213-218.
Reinelt, Janelle. "Performing Europe: Identity Formation for a 'New' Europe." Theatre Journal 53 (2001): 365-387.
Scullion, Adrienne. "'And So This Is What Happened': War Stories in New Plays for Children." New Theatre Quarterly 21.4 (2005): 317-330.
Simard, Jean-Pierre. "Rupture et continuite: Le Theatre ecossais au passage du millenaire." Cycnos 18:1 (2001): 133-44.
Soncini, Sara. "New Order, New Borders: Post-Cold War Europe on the British Stage." Sara Soncini (ed.). Myths of Europe. Amsterdam: Rodopi, 2007. 247-261.
Svich, Caridad. "Physical Poetry." PAJ 29.2 (2007): 51-58.
Wright, Isabel. "Working in Partnership: David Greig in Conversation with Isabel Wright." Trans-Global Readings: Crossing Theatrical Boundaries. Ed. Caridad Svich. Manchester: Manchester UP, 2003. 157-61.
Zenzinger, Peter. "David Greig's Scottish View of the 'New' Europe: A Study of Three Plays." Literary Views on Post-Wall Europe: Essays in Honour of Uwe Böker. Eds. Christoph Houswitschka, Ines Detmers et al. Trier: wvt, 2005. 261-282. [Europe (1994), One Way Street (1995), The Cosmonaut's Last Message to the Woman He Once Loved in the Former Soviet Union (1999)]
last update: 20. May 2009