Babbage, Frances. "Performing Love: A Week's Discourse with Forced Entertainment." Contemporary Theatre Review 12:4 (2002): 63-76.
Bailes, Sara Jane. "Struggling to Perform: Radical Amateurism and Forced Entertainment." Theatre Forum 26 (January 2005): 56-65.
Gritzner, Karoline. "(Post)Modern Subjectivity and the New Expressionism: Howard Barker, Sarah Kane, and Forced Entertainment." Contemporary Theatre Review 18:3 (2008): 328-340.
Lorek-Jezinska, Edyta. "Exiled to the City: Liminality and the Myth of Expulsion in Forced Entertainment's Performances: (Let the Water Run Its Course) to the Sea That Made the Promise (1986), 200% & Bloody Thirsty (1987/88), Marina & Lee (1990/91) and Emanuelle Enchanted (1992)." The Writing of Exile, Ed. Wojciech Kalaga and Tadeusz Rachwal. Katowice: Slask, 2001. 225-235.
Matzke, Annemarie. "'Come in and Look at My Live': Selbst-Inszenierung als Versuchsaufbau." Forum Modernes Theater 17:1 (2002): 19-27.
Read, Alan. Theatre, Intimacy and Engagement: The Last Human Venue. Basingstoke: Palgrave Macmillan, 2008.
Svich, Caridad. "Chasing Ruins: Tim Etchells in Conversation with Caridad Svich." In: Trans-Global Readings: Crossing Theatrical Boundaries, Ed. Caridad Svich. Manchester: Manchester UP, 2003. 31-35.
Tomlin, Liz. "Beyond Cynicism: The Sceptical Imperative and (Future) Contemporary Performance." Contemporary Theatre Review 18:3 (2008): 355-369.
Witts, Noel. "Letter From the UK, Summer/Autumn 2003." Western European Stages 15:3 (2003): 73-76.