Abdollahzadeh, Jale. "Departures from Realism: Contemporary Feminist Theatre and the Power of Surreal Effects." Drama and Reality. Ed. Bernhard Reitz. Contemporary Drama in English 3. Trier Wissenschaftlicher Verlag Trier, 1996. 123-132.
Bartels, Anke. Judiths erfolgreiche Schwester. Die Stücke Caryl Churchills im theater- und sozialgeschichtlichen Kontext. Frankfurt/Main: Peter Lang, 1996 (Diss.).
Berns, Ute. "History and Violence in British Epic Theatre: From Bond and Churchill to Kane and Ravenhill." New Beginnings in Twentieth-Century Theatre and Drama: Essays in Honour of Armin Geraths. CDE Studies 10. Eds. Christiane Schlote and Peter Zenzinger. Trier: Wissenschaftlicher Verlag Trier, 2003. 49-72.
Berns, Ute. Mikropolitik im englischen Gegenwartsdrama: Studien zur Dramatisierung gesellschaftlicher Macht- und Ausschließungsmechanismen bei Pinter, Keeffe und Churchill. CDE Studies 2. Trier: WVT, 1997.
Berns, Ute. "Political Drama and the Micropolitics of Language: Institutional Power and Individual Perspectives Creating Dramatic Realities." Drama and Reality. Ed. Bernhard Reitz. Contemporary Drama in English 3. Wissenschaftlicher Verlag Trier, 1996. 111-22.
Betsko, Kathleen, and Rachel Koenig. Interviews with Contemporary Women Playwrights. (Beech Tree Books, 1987). [includes an interview with Caryl Churchill]
Borowski, Mateusz. "Gendered Bodies - Historical Bodies: The Development of the Brechtian Convetion in Caryl Churchill's Cloud Nine and Mark Ravenhill's Mother Clap's Molly House." Extending the Code: New Forms of Dramatic and Theatrical Expression. Contemporary Drama in English 11. Ed. Hans-Ulrich Mohr and Kerstin Mächler. Trier: Wissenschaftlicher Verlag Trier, 2004. 131-144.
Carlson, Marvin. "The Mother Tongue and the Other Tongue: The American Challenge in Recent Drama." Global Challenges and Regional Responses in Contemporary Drama in English. Contemporary Drama in English 10. Ed. Jochen Achilles, Ina Bergmann and Birgit Däwes. Trier: Wissenschaftlicher Verlag Trier, 2002. 151-169.
Chambers, Colin, and Mike Prior. "Caryl Churchill: Women and the Jigsaw of Time." Playwright's Progress: Patterns of Postwar British Drama. Colin Chambers, and Mike Prior. Oxford: Amber Lane, 1987. 189-198.
Churchill, Caryl. "The Common Imagination and the Individual Voice." Interview with Geraldine Cousin. New Theatre Quarterly 4.13 (1988): 3-16.
Cohn, Ruby. "Modest Proposals of Modern Socialists." Contemporary British Drama. 1970-90. Essays from Modern Drama. Ed. Hersh Zeifman and Cynthia Zimmermann. Toronto: University of Toronto Press, 1993. 267-281.
Cousin, Geraldine. Churchill. The Playwright. London: Methuen, 1989.
Cousin, Geraldine. Women in Dramatic Place and Time. London: Routledge, 1996.
Despenich, Susan Carol. "Tracing the Development of a Dramatist: A Reading of Caryl Churchill's Stage Plays." University of Michigan, DAI 51:10 (1991): 3407A.
Diamond, Elin. "(In)Visible Bodies in Churchill's Theater." Making A Spectacle. Feminist Essays on Contemporary Women's Theatre. Ed. Linda Hart. Ann Arbor: U of Michigan P, 1989. 259-281.
Diamond, Elin. "Refusing the Romanticism of Identity: Narrative Interventions in Churchill, Benmussa, Duras." Theatre Journal 37 (1985): 273-286.
Doan, Laura L. "Sexy Greedy is the Late Eighties: Power Systems in Amis's Money and Churchill's Serious Money." The Minnesota Review 34-35 (1990): 69-80.
Eichler, Rolf. "Caryl Churchills Theater: Das Unbehagen der Geschlechterdifferenz." Frauen und Frauendarstellung in der englischen und amerikanischen Literatur. Ed. Therese Fischer-Seidel. Tübingen: Narr, 1991. 199-216.
Fitzsimmons, Linda. File on Churchill. London: Methuen, 1989.
Fitzsimmons, Linda. "'I Won't Turn Back for You or Anyone': Caryl Churchill's Socialist-Feminist Theatre." Essays in Theatre 6:1 (1987): 19-29.
Eichler, Rolf. "Caryl Churchills Theater: Das Unbehagen an der Geschlechterdifferenz." Frauen und Frauendarstellung in der englischen und amerikanischen Literatur. Tübinger Beiträge zur Anglistik 14. Ed. Therese Fischer-Seidel. Tübingen: Narr, 1991. 199-216.
Gamber, Cayo Elizabeth Dumais. "No Place/Like Home: Feminism, Semiotics, and Staged Space." Diss. George Washington University, DAI 52:2 (1991): 546A.
Haas, Renate. "'Mannsbilder' in Caryl Churchills wichtigsten Stücken." Forum Modernes Theater 5.1 (1990): 48-61.
Jayaswal, Shakuntala. "Chasing the Comic Muse: Beckett, Stoppard, Orton, and Churchill in the Aristophanic and Menandrian Tradition." Diss., DAI 48:6 (1987): 1460A.
Keyssar, Helene. "Doing Dangerous History: Caryl Churchill and A Mouthful of Birds." Caryl Churchill. A Casebook. Ed. Phyllis Randall. New York-London: Garland, 1988. 131-149.
Keyssar, Helene. "The Dramas of Caryl Churchill: The Politics of Possibility." Massachusetts Review 24:1 (1983): 198-216.
King, Kimball. "Serious Money: A Market Correction?" Caryl Churchill. A Casebook. Ed. Phyllis Randall. New York-London: Garland, 1988. 151-160.
Klett, Renate. "'Auf der Bühne ist alles möglich, was man will' - Autorenporträt: Caryl Churchill." Theater heute 1 (1984): 19-27.
Kritzer, Amelia Howe. "Madness and Political Change in the Plays of Caryl Churchill." Madness in Drama. Ed. James Redmond. Cambridge: Cambridge UP, 1993. 203-216.
Kritzer, Amelia Howe. "Potential Currents in Caryl Churchill's Plays at the Turn of the Millennium." Crucible of Cultures. Anglophone Drama at the Dawn of a New Millennium. Eds. Marc Maufort & Franca Bellarsi. Bruxelles, et. al.: Peter Lang, 2002. 57-68.
Kritzer, Amelia Howe. The Plays of Caryl Churchill. Theatre of Empowerment. London, Basingstoke: Macmillan, 1991.Lippke, Wolfgang. "Caryl Churchill. A Short Introduction." Ergebnisse Regionaler Lehrerfortbildung. Hessisches Institut für Lehrerfortbildung 1991, 53-54.
Marlow, Stuart. "Revisiting Top Girls: Mainstreaming the Alternative." Beyond the Mainstream. Ed. Peter Paul Schnierer. Contemporary Drama in English 4. Wissenschaftlicher Verlag Trier, 1997. 69-76.
Marohl, Joseph. "De-Realised Women: Performance and Identity in Top Girls." Modern Drama 30:3 (1987): 376-388.
Mitchell, Tony. "Caryl Churchill's Mad Forest: Polyphonic Representations of Southeastern Europe." Modern Drama 36 (1993): 499-511.
Müller, Klaus-Peter. "Recasting the World on Stage: The Freedom of Creating New Centres and Meanings in Contemporary Theatre." Centres and Margins. Contemporary Drama in English 2. Ed. Bernhard Reitz. Trier: Wissenschaftlicher Verlag Trier, 1995. 9-29.
Müller, Klaus Peter. "A Serious City Comedy: Fe-/Male History and Value Judgements in Caryl Churchill's Serious Money", Modern Drama 33 (1995): 347-362.
Neumeier, Beate. "Past Lives in Present Drama: Feminist Theatre and Intertextuality." Frauen und Frauendarstellung in der englischen und amerikanischen Literatur. Ed. Therese Fischer-Seidel. Tübinger Beitrage zur Anglistik 14. Tübingen : Narr, 1991. 181-198.
Nischik, Reingard M. "Betrayal Psychohistorically: The Representation of Emotions in the British Drama of Manners." Anglistentag 1991 Düsseldorf: Proceedings. Ed. Wilhelm G. Busse, ed. Tübingen: Niemeyer, 1992. 189-204.
Omasreiter-Blaicher, Ria. "Die gescheiterte Emanzipation der Frauen im feministischen Drama der Gegenwart." Anglia 112 (1994): 390-410.
Palma, Lark Pickett. "Political and Aesthetic Dimensions in the Plays of Caryl Churchill through a Feminist Lens." Diss., DAI 53:8 (1993): 2829A.
Pankratz, Annette. "Roles and Role-Playing in the Plays of Caryl Churchill". Twentieth-Century Theatre and Drama in English. Festschrift for Heinz Kosok on the Occasion of his 65th Birthday. Ed. Jürgen Kamm. Trier: Wissenschaftlicher Verlag, 1999. 267-289.
Peacock, M. H. "Five Approaches to Political Theatre: Howard Brenton, David Hare, David Edgar, Roger Howard, Caryl Churchill and Howard Barker." Diss., DAI 52:11 (1992): 3771A-3772A.
Plum, Jay. "Re-Viewing the Bacchae in A Question of Silence and A Mouthful of Birds." Text and Presentation: Journal of the Comparative Drama Conference 11 (1991): 89-95.
Prado Pérez, José R. "Issues of Representation and Political Discourse in Caryl Churchill's Latest Work." (Dis)Continuities - Trends and Traditions in Contemporary Theatre and Drama in English. Eds. Margarete Rubik and Elke Mettinger-Schartmann. Contemporary Drama in English 9. Trier: Wissenschaftlicher Verlag Trier, 2002. 91-104.
Price, Hendricks, and Margo, Jennett. "The Roaring Girls: A Study of 17th Century Feminism and the Development of Feminist Drama." Diss., DAI 48:10 (1988): 2492A-2493A.
Quigley, Austin E. "Stereotype and Prototype: Character in the Plays of Caryl Churchill." Feminine Focus: The New Women Playwrights. Ed. Enoch Brater. Oxford: Oxford UP, 1989. 25-52.
Quint, Cordula. "Terror of the Contemporary Sublime: Regional Responses to the Challenges of Internationalism and Globalization in the Drama of Caryl Churchill and David Edgar." Global Challenges and Regional Responses in Contemporary Drama in English. Contemporary Drama in English 10. Ed. Jochen Achilles, Ina Bergmann and Birgit Däwes. Trier: Wissenschaftlicher Verlag Trier, 2002. 171-189.
Raab, Michael. "Jenseits des Mainstream." [Howard Barker, Caryl Churchill, Théâtre de Complicité.] Die Deutsche Bühne 5 (1994): 18-20.
Rabillard, Sheila, ed. Essays on Caryl Churchill: Contempoaray Representations. Winnipeg: Blizzard, 2001.
Randall, Phyllis R, (ed.) Caryl Churchill: A Casebook. Casebooks of Modern Dramatists 3. New York: Garland, 1988.
Reinelt, Janelle. "Elaborating Brecht: Churchill's Domestic Drama." Communications from the International Brecht Society 14.2 (1985): 49-56.
Rubik, Margarete. "The Bacchae in Modern English Drama." Anthropological Perspectives. Ed. Werner Huber and Martin Middeke. Contemporary Drama in English 5. Wissenschaftlicher Verlag Trier, 1998. 59-67.
Sakellaridou, Elizabeth. "Hyper-/ Sur-/Realism and the Postmodern Stage." Drama and Reality. Ed. Bernhard Reitz. Contemporary Drama in English 3. Wissenschaftlicher Verlag Trier, 1996. 47-58.
Schäffner, Raimund. "Osteuropa und das englische Theater: Neue Stücke von Caryl Churchill, Tariq Ali und Howard Brenton sowie David Edgar." Forum Modernes Theater 7.2 (1992): 153-79.
Schnierer, Peter Paul. "Dystopisches Drama: Caryl Churchill." Das englische Drama der Gegenwart: Kategorien, Entwicklungen, Modelinterpretationen. Ed. Merle Tönnies. Trier: WVT, 2010. 81-94.
Slagle, Judith Bayley. "Shadwell's Volunteers through the Centuries: Power Structures Adapted in Scott's Peveril of the Peak and Churchill's Serious Money." Restoration 20.2 (1996): 236-246.
Solomon, Alisa. "Witches, Ranters and the Middle Class: The Plays of Caryl Churchill." Theater 12:2 (1981): 49-55.
Stoll, Karl-Heinz. Postmoderner Feminismus: Caryl Churchills Dramen. Frankfurt/Main: Lang, 1995.
Stumm, Reinhardt, "Karriere, Coolness, Kopfarbeit - Top Girls in Zürich: atemberaubend." Theater heute 1 (1984): 24.
Swanson, Michael. "Mother/Daughter Relationships in Three Plays by Caryl Churchill." Theatre Studies (1984-1985/1985-1986): 31-32, 49-66.
Thomas, Jane. "The Plays of Caryl Churchill: Essays in Refusal." The Death of the Playwright? Modern British Drama and Literary Theory. Ed. Adrian Page. London: Macmillan, 1992. 160-185.
Thomsen, Christian W. "Three Socialist Playwrights: John McGrath, Caryl Churchill, Trevor Griffiths." Contemporary British Drama. Ed. C.W.E. Bigsby. London: Arnold , 1981. (Stratford-Upon-Avon Studies 19).
Vanden Heuvel, Michael. "Performing Gender(s)." Contemporary Literature 35:4 (1994): 804-813.
Worth, Katharine. "Images of Women in Modern English Theater." Feminine Focus: The New Women Playwrights. Ed. Enoch Brater. Oxford: Oxford UP, 1989, 3-24.
Würzbach, Natascha. "Frauen machen Theater: Der Beitrag von Frauen zum englischen Theaterleben der letzten zwanzig Jahre." Englisches Theater der Gegenwart. Geschichte(n) und Strukturen. Ed. Klaus Peter Müller. Tübingen: Narr, 1993. 73-98.
Yan, Haiping. "Staging Modern Vagrancy: Female Figures of Border-Crossing in Ama Ata Aidoo and Caryl Churchill." Theatre Journal 54, no. 2 (May 2002): 245-262.
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