Beacham, Richard. "Brenton Invades Britain: The Romans in Britain Controversy." Theater 12 (1981): 34-37.
Bennett, Susan. "At the End of the Great Radical Tradition? Recent Plays by Howard Brenton." Modern Drama 33.3 (1990): 409-418.
Boon, Richard. Brenton. The Playwright. London: Methuen, 1991.
Boon, Richard. "Politics and Terror in the Plays of Howard Brenton." Terrorism and Modern Drama. Ed. John Orr and Dragan Klaic. Edinburgh : Edinburgh UP, 1990. 138-50
Boon, Richard. "Retreating to the Future: Brenton in the Eighties." Modern Drama 33.1 (1990): 30-41.
Boon, Richard. "Writers with Dirty Hands: Howard Brenton's A Sky Blue Life: Scenes after Maxim Gorki." Modern Drama 32 (1989): 183-191.
Boon, Richard, and Amanda Price. "Maps of the World: 'Neo-Jacobeanism' and Contemporary British Theatre." Modern Drama 41 (1998): 635-54.
Borgmeier, Raimund. "Howard Brenton, H. I. D. (Hess is Dead) (1989)." Can't We 'Ave Some Order 'Ere! Rechtsextremismus im zeitgenossischen britischen Drama. Ed. Bernhard Reitz. Heidelberg: Winter, 1995. 59-72.
Brenton, Howard. "'The Best We Have, Alas': A Note on Brecht." Theater 17 (1986): 5-7.
Brenton, Howard. "With Gardzienice." Drama and Reality. Ed. Bernhard Reitz. Contemporary Drama in English 3. Wissenschaftlicher Verlag Trier, 1996. 9-15.
Cameron, Ben. "Howard Brenton: The Privilege of Revolt." Theater 12.2 (1981): 28-33.
Cardullo, Bert. "A Note on Sore Throats." The Language Quarterly 24 (1985): 12.
Caulfield, Carl. "Moscow Gold and Reassessing History." Modern Drama 36 (1993): 490-98.
Caulfield, Carl. "'What the Bomb Does to Our Minds': Sewell's Welcome the Bright World and Brenton's The Genius." Australasian Drama Studies 14 (1989): 19-32.
Defraeye, Piet. "The Romans in Britain and the effect of Male/Male Sexual Iconography at London’s National Theatre." Torquere 1 (1999): 60-86.
Evenden, Michael. "'No Future without Marx': Dramaturgies of 'The End of History' in Churchill, Brenton, and Barker." Theater 29 (1999): 100-13.
Germanou, Maro. "History, Politics and Drama in Brentons H.I.D. (Hess Is Dead)." Arbeiten aus Anglistik und Amerikanistik 23 (1998): 229-38.
Gross, Robert F. "The Romans in Britain: Aspirations and Anxieties of a Radical Playwright." Modern Dramatists: A Casebook of Major British, Irish, and American Playwrights. Ed. Kimball King. New York: Routledge, 2001. 49-60.
Guardamagna, Daniela. "Fantasmi a teatro: Il grottesco fantastico di Howard Brenton." Studi Urbinati (Serie B: Scienze Umane e Sociali) 67 (1995/96): 429-46.
Hayman, Ronald. "Brecht in the English Theatre." The German Theatre: A Symposium. Ed. Ronald Hayman. London and New York: Wolff and Barnes & Noble, 1975. 201-11.
Huber, Werner, and Martin Middeke. "Biography in Contemporary Drama." Drama and Reality. Ed. Bernhard Reitz. Contemporary Drama in English 3. Wissenschaftlicher Verlag Trier, 1996. 133-43.
Kim, Yoo. "The Insoluble Gaps between Reality and Vision: Howard Brenton's Bloody Poetry." Journal of Modern British and American Drama 15 (2002): 101-35.
Kinzel, Till. "Hard Times for Great Men: Sir Winston Churchill Revisited in Howard Brenton's The Churchill Play. New Beginnings in Twentieth-Century Theatre and Drama: Essays in Honour of Armin Geraths. CDE Studies 10. Eds. Christiane Schlote and Peter Zenzinger. Trier: Wissenschaftlicher Verlag Trier, 2003. 17-36.
Lippke, Wolfgang. "Collateral Damage: Public Wars and Private Suffering." Literary Views on Post-Wall Europe. Essays in Honour of Uwe Böker. Eds. Christoph Houswitschka, Ines Detmers, Anna-Christine Giovanopoulos, Edith Hallberg, Annette Pankratz. Wissenschaftlicher Verlag Trier, 2005. 207-215.
Lippke, Wolfgang. "Howard Brenton: Berlin Bertie. Beyond Hope?" Contemporary Theatre Review 5.1 (1996): 103-109.
Lippke, Wolfgang. Contemporary British Authors: Howard Brenton. Videocassette (30 min.) mit Begleitheft (20 pp). FWU 1987.
Lippke, Wolfgang. "Howard Brenton: Ein großer englischer Dramatiker auf Vortragsreise". Der Fremdsprachliche Unterricht 1986: 314-316.
Mitchell, Tony (ed.) File on Brenton. London: 1988.
O'Connor, John. "Disrupting the Spectacle: French Situationist Political Theory and the Plays of Howard Brenton." Theatre Symposium 9 (2001): 86-94.
O'Connor, John E. "Howard Brenton (1942- )." British Playwrights, 1956-1995: A Research and Production Sourcebook. Ed. William W. Demastes. Westport: Greenwood, 1996. 94-106.
Pankratz, Annette. "Crucifixions in Contemporary Drama: Barker, Berkoff, Bond, Brenton, McNally and Tabori; Proceedings of the Conference at Passau University, March 15-17, 2001." The Aesthetics and Pragmatics of Violence. Ed. Michael Hensen,-Michael and Annette Pankratz. Passau, Germany : Stutz, 2001. 183-95.
Ponnuswami, Meenakshi. "Celts and Celticists in Howard Brenton's The Romans in Britain." Journal of Dramatic Theory and Criticism 12 (1998): 69-88.
Reinhelt, Janelle. "Bertolt Brecht and Howard Brenton: The Common Task" Pacific Coast Philology 20.1-2 (1985): 46-52.
Roberts, Philip. "Howard Brenton's Romans." Critical Quarterly 23 (1981): 5-23.
Schäffner, Raimund. "Osteuropa und das englische Theater: Neue Stücke von Caryl Churchill, Tariq Ali und Howard Brenton sowie David Edgar." Forum Modernes Theater 7.2 (1992): 153-79.
Schäffner, Raimund. "Der sozio-politische Wandel Englands im Spiegel des Dramas: Howard Brentons/Tony Howards A Short Sharp Shock! and Doug Lucies Fashion." Forum Modernes Theater 6 (1991): 41-61.
Spencer, Brenda. "Questioning the Validity of a Received Interpretation of History Which Ignores Colonial Violence: A Defence of Brenton's 'Romans in Britain'." South African Theatre Journal 6 (1992): 46-59.
Tönnies, Merle. "The Codes of ‘Self’ and ‘Other’ and the Manipulation of Audience Sympathy: Conflicts between the West and the Islamic World in Contemporary British and Irish Drama." Race and Religion. Ed. Bernhard Reitz. Contemporary Drama in English 6. Wissenschaftlicher Verlag Trier, 1999. 77-84.
Troxel, Patricia M. "Haunting Ourselves: History and Utopia in Howard Brenton's Bloody Poetry and Greenland." Text and Presentation: The University of Florida Department of Classics Comparative Drama Conference Papers, X. Ed. Karelisa Hartigan. Lanham, MD: UP of America, 1990. 97-103.
Video. Howard Brenton with Donna Soto-Morettini. The Roland Collection. (40min).
Wagner, Jennifer A. "'I Am Cast as a Monster': Shelley's Frankenstein and the Haunting of Howard Brenton's Bloody Poetry." Modern Drama 37 (1994): 588-602.
Wilcher, Robert. "Pravda: A Morality Play for the 1980s." Modern Drama 33 (1990): 42-56.
Wolf, Werner. "Spiel im Spiel und Politik: Zum Spannungsfeld literarischer Selbst-und Fremdbezuglichkeit im zeitgenossischen englischen Drama." Poetica 24 (1992): 163-94.
Wu, Duncan. Six Contemporary Dramatists: Bennett, Potter, Gray, Brenton, Hare, Ayckbourn. New York: St. Martin's, 1996.
Zeifman, Hersh. "Making History: The Plays of Howard Brenton." British and Irish Drama since 1960. Ed. James Acheson. Houndmills, Eng. : Macmillan, 1993. 130-45.
Zelenak, Michael X. "The Politics of History: Howard Brenton's Adaptations." Theater 18.1 (1986): 52-55.