Bibliography: John Arden (& Magaretta D'Arcy)

Adler, Thomas P.: "Religious Ritual in John Arden's Serjeant Musgrave's Dance", Modern Drama 16 (1973): 163-66.

Barth, Adolf: "Absurde und groteske Spielformen in der Dramatik John Ardens", Literatur in Wissenschaft und Unterricht 8 (1975): 242-56.

Bennett, Susan: "Brecht – Britain – Bakhtin: The Bridge of Armstrong's Last Goodnight", in: Wike, Jonathan (ed.): John Arden and Margaretta D'Arcy: A Casebook. New York: Garland, 1995, 67-79.

Blindheim, Joan T.: "John Arden's Use of the Stage", Modern Drama 11 (1968): 306-16.

Bonford, Francois: "Falstaffian Characters in Two Plays by John Arden", Revue des Langues Vivantes 38 (1972): 164-74.

Broich, Ulrich: "Wandlungen des Melodramas: Boucicaults Arrah-na-Pogue, Shaws The Devil's Disciple and Arden/D'Arcys Vandaleur's Folly", in: Borgmeier, Raimund (ed.): Gattungsprobleme in der anglo-amerikanischen Literatur, Tübingen: Niemeyer, 108-124.

Brown, John R.: Theatre Language: A Study of Arden, Osborne, Pinter and Wesker, London: Allen Lane, 1972.

Bruster, Douglas: "Why Read Arden?", in: Wike, Jonathan (ed.): John Arden and Margaretta D'Arcy: A Casebook. New York: Garland, 1995, 41-50.

Clinton, Craig: "John Arden: The Promise Unfulfilled", Modern Drama 21 (1978): 47-57.

Cohen, Michael: "A Defence of D'Arcy and Arden's Non-Stop Connolly Show", Theatre Research International 15 (1990): 78-88.

Cohen, Michael: "Exemplary Drama: Arden's Shifting Perspective on Sixteenth and Seventeenth Century Predecessors", in: Wike, Jonathan (ed.): John Arden and Margaretta D'Arcy: A Casebook. New York: Garland, 1995, 159-78.

Cohen, Michael. "The Politics of the Earlier Arden." Modern Drama 28 (1985): 198-210.

Counts, Michael L.: "Arden, John (1930- )", in: Demastes, William W. (ed.): British Playwrights, 1956-1995: A Research and Production Sourcebook, Westport, CT: Greenwood, 1996, 4-14.

Dace, Tish: "Who Wrote 'John Arden's' Plays?", in: King, Kimball (ed.): Modern Dramatists: A Casebook of Major British, Irish, and American Playwrights. New York: Routledge, 2001, 1-18.

Dahl, Mary Karen: "John Arden's Pearl: Historical Imaginings", in: Wike, Jonathan (ed.): John Arden and Margaretta D'Arcy: A Casebook. New York: Garland, 1995, 143-58.

David, P. C. "Poetry in the Drama of John Arden." Panjab University Research Bulletin (Arts) (PURBA) 17.1 (1986): 41-50.

Day, Paul W.: "Individual and Society in the Early Plays of John Arden", Modern Drama 18 (1975): 239-49.

Day, Paul W.: "Social Commentary and Dramatic Method in the Plays of John Arden", in: Ellis, J. R.: Australasian Universities Language and Literature Association:Proceedings and Papers of the Thirteenth Congress Held at Monash University 12-18 August 1970, Melbourne: AULLA and Monash U., 1972, 148-50.

Dodd, P.: "A Thematic Approach to John Arden's Armstrong's Last Goodnight", Revue des Langues Vivantes 43 (1977): 323-29.

Epstein, Arthur D.: "John Arden's Fun House", University Review 36 (1970): 243-51.

Forsas Scott, Helena: "Life and Love and Serjeant Musgrave: An Approach to Arden's Play", Modern Drama 26 (1983): 1-11.

Gaston, Georg "An Interview with John Arden." Contemporary Literature 32.2 (1991): 147-70.

Geraths, Armin. "John Arden." Englische Literatur der Gegenwart in Einzeldarstellungen. Ed. Horst Drescher. Stuttgart: 1970. 458-475.

Gilman, Richard: "Arden's Unsteady Ground", The Drama Review 11 (1966): 57-62.

Graham, Catherine: "The Non-Stop Connolly Show: The Role of a Non-Traditional Audience in a New Theatre Tradition", in: Wike, Jonathan (ed.): John Arden and Margaretta D'Arcy: A Casebook. New York: Garland, 1995, 129-42.

Gray, Frances. John Arden. London: Macmillan, 1982.

Hahnloser-Ingold, Margrit: Das englische Theater und Bert Brecht: Die Dramen von W.H. Auden, John Osborne, John Arden in ihrer Beziehung zum epischen Theater von Bert Brecht und den gemeinsamen elisabethanischen Quellen, Bern: Francke, 1970.

Hammerschmidt, Hildegard: "John Arden und Margaretta D'Arcy: The Island of the Mighty", in: Oppel, Horst. Das Englische Drama der Gegenwart, Berlin: Schmidt, 1976, 239-57.

Hainsworth, J. D.: "John Arden and the Absurd", A Review of English Literature 7 (1966): 42-49.

Harris, Claudia W.: "An Undeviating Path: Margaretta D'Arcy and John Arden", in: Wike, Jonathan (ed.): John Arden and Margaretta D'Arcy: A Casebook. New York: Garland, 1995, 51-65.

Hayman, Ronald. John Arden. London: Heinemann, 1970.

Hunt, Albert. Arden. A Study of his Plays. London, 1974.

Jacquot, Jean: "Presentation de John Arden", in: Jacquot, Jean (ed.): Le theatre moderne, II: Depuis la deuxieme guerre mondiale, Paris: Eds. du Centre National de la Recherche Scientifique, 1967, 133-156.

Jordan, Robert J.: Serjeant Musgrave's Problem, Modern Drama 13 (1970): 54-62.

Klotz, Günther: Ein irisches Vermachtnis: The Ballygombeen Bequest von John Arden und Margaret D'Arcy", Zeitschrift für Anglistik und Amerikanistik 22 (1974): 419-24.

Krahe, Peter: "John Arden und Margaretta D'Arcys The Hero Rises Up: Ein zeitkritsches Melodrama": in: Bettinger, Elfi and Thomas Meier-Fohrbeck (eds.): Von Shakespeare bis Chomsky: Arbeiten zur englischen Philologie an der Freien Universität Berlin. Frankfurt: Peter Lang, 1987, 137-62.

Lippke, Wolfgang. "John Arden & Magaretta D'Arcy: Failure of Communication with the Audience." History and Drama. Essays in Honour of Bernhard Reitz. Ed. Sigrid Rieuwerts. Wissenschaftlicher Verlag Trier, 2006. 189-200.

Lippke, Wolfgang. "Irish Issues: John Arden und Margaretta D'Arcy. A Literary Struggle for Ireland." Ergebnisse Regionaler Lehrerfortbildung. Hessissches Institut für Lehrerfortbildung 1991, 70-81.

Lippke, Wolfgang. "John Arden and Margaretta D'Arcy. A Literary Struggle for Ireland." Coup de Theatre 10 (1990): 109-118.

Lippke, Wolfgang. Contemporary British Authors: John Arden und Margaretta D'Arcy. Videocassette (26 min.) mit Begleitheft (16 p.). Insitut für Film und Bild in Wissenschaft und Unterricht FWU 1987.

Lippke, Wolfgang. "'We are no longer interested in the Theatre'. John Arden und Margaretta D'Arcy über Zensur in England." Gulliver 17 (1985): 135-142.

McMillan, Grant E.: "The Bargee in Sergeant Musgrave's Dance", Educational Theatre Journal 25 (1973): 500-03.

Malick, Javed: Toward a Theater of the Oppressed: The Dramaturgy of John Arden, Ann Arbor: U of Michigan P, 1995.

Messenger, Ann P.: John Arden's Essential Vision: Tragical-Historical-Political", Quarterly Journal of Speech 58 (1972): 307-12.

Mills, John: "Love and Anarchy in Sargeant Musgrave's Dance", Drama Survey 7 (1969): 45-51.

O'Hanlon, Redmond: "The Theatrical Values of John Arden", Theatre Research International 5 (1980): 218-236.

Page, Malcolm. Arden on File. London: Methuen, 1985.

Page, Malcolm. John Arden. Boston: Twayne, 1984.

Page, Malcolm: "The Motives of Pacifists: John Arden's Serjeant Musgrave's Dance" Drama Survey 6 (1967): 66-73.

Page, Malcolm: "Some Sources of Arden's Serjeant Musgrave's Dance", Moderna Sprak 67 (1973): 332-41.

Reeves, Geoffrey: "John Arden et le theatre populaire en Angleterre", in: Jacquot, Jean (ed.): Le theatre moderne, II: Depuis la deuxieme guerre mondiale, Paris: Eds. du Centre National de la Recherche Scientifique, 1967, 157-161.

Roberts, Jeffrey L.: "John Arden's The Waters of Babylon: A Maverick on the 'New Wave'", in: Wike, Jonathan (ed.): John Arden and Margaretta D'Arcy: A Casebook. New York: Garland, 1995, 3-17.

Sandley, Donald: "Defining Orthodoxy: Power and Perspective in Whose Is the Kingdom?", in: Wike, Jonathan (ed.): John Arden and Margaretta D'Arcy: A Casebook. New York: Garland, 1995, 179-97.

Skloot, Robert: "Spreading the Word: The Meaning of Musgrave's Logic", Educational Theatre Journal 27 (1975): 208-19.

Schvey, Henry I. "From Paradox to Propaganda: The Plays of John Arden." in: Hedwig Bock and Albert Wertheim (eds.): Essays on Contemporary British Drama, München: Hueber, 1981. 47-70.

Sperk, Klaut: "John Arden: Left-Handed Liberty (1965)", in: Fehse, Klaus-Dieter and Norbert Platz: Das zeitgenössische englische Drama: Einführung, Interpretation, Dokumentation, Frankfurt: Athenäum, 1975, 218-28.

Shrapnel, Susan: "John Arden and the Public Stage" The Cambridge Quarterly 4 (1969): 225-236.

Stenbaek, Marianne A.: "Pragmatic Anarchy: The Early Experimental Plays of John Arden, 1958-1963", in: Wike, Jonathan (ed.): John Arden and Margaretta D'Arcy: A Casebook. New York: Garland, 1995, 19-40.

Taylor, John Russel. "John Arden." Modern British Dramatists. Ed. John Russel Brown. Englewood Cliffs: 1984. 83-97.

Thorne, Barry: "Serjeant Musgrave's Dance: Form and Meaning", Queen's Quarterly 78 (1971): 567-71.

Trussler, Simon: John Arden, New York and London: Columbia UP, 1973.

Trussler, Simon: "Political Progress of a Paralyzed Liberal: The Community Dramas of John Arden", The Drama Review 13 (1969): 181-191.

Turner, Tramble T.: "John Connolly: A Fit Story for the Playwright of Serjeant Musgrave's Dance", in: Wike, Jonathan (ed.): John Arden and Margaretta D'Arcy: A Casebook. New York: Garland, 1995, 101-28.

Wager, Walter, Simon Trussler and Kelly Morris (eds.): "Who's for a Revolution? Two Interviews with John Arden", The Drama Review 11 (1966): 41-53.

Weise, Wolf D.: "John Arden und die traditionelle englisch-schottische Volksballade", Neusprachliche Mitteilungen aus Wissenschaft und Praxis 29 (1976): 33-41.

Wiggins, Kayla McKinney: "The Person of a Poet: John Arden and Modern Verse Drama", in: Wike, Jonathan (ed.): John Arden and Margaretta D'Arcy: A Casebook. New York: Garland, 1995, 81-100.

Wike, Jonathan (ed.): John Arden and Margaretta D'Arcy: A Casebook, New York: Garland, 1995.

Wimmer, Adolf: "John Arden und die poetische Balladentradition Englands", in: On Poets & Poetry: A Symposium from the Department of English at the University of Salzburg, Salzburg: Institut für englische Sprache & Literatur, Universität Salzburg, 1974, 133-69.

Winkler, Elizabeth Hale: "Modern Melodrama: The Living Heritage in the Theatre of John Arden and Margaretta D'Arcy", in: Redmond, James (ed.): Melodrama, Cambridge: CUP, 1992, 255-67.

Wootton, Carol. Selective Affinities: Comparative Essays from Goethe to Arden. New York : Lang, 1983.

Worth, Katharine J.: "Avant Garde at the Royal Court Theatre: John Arden and N. F. Simpson" in: Armstrong, William A.(ed.): Experimental Drama, London: G. Bell, 1963, 204-223.

 

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